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The Drunken Odyssey

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The Drunken Odyssey

Monthly Archives: April 2019

Episode 362: Whither, Life Balance? (An AWP Panel)

13 Saturday Apr 2019

Posted by thedrunkenodyssey in AWP, Episode

≈ 1 Comment

Episode 362 of The Drunken Odyssey, your favorite podcast about creative writing and literature is available on iTunes, or right click here to download.

In this week’s episode, Chelsey Clammer, David James Poissant, Rion Amalcar Scott, and I discuss how to survive in the writing life before an AWP audience in Portland, Oregon.

AWP Panel

Chelsey Clammer

David James Poissant

rion-scott-author-photo-final-hi-res-23

1flip

NOTES

If you are anywhere near Miami, check out the O, Miami Poetry Festival.

Please review this show on iTunes.

My novel comes out next week.

Guy Psycho and the Ziggurat of Shame


Episode 362 of The Drunken Odyssey, your favorite podcast about creative writing and literature is available on iTunes, or right click here to download.


What are your tips for gaining efficiency with your time?

The Curator of Schlock #268: The Ipcress File

12 Friday Apr 2019

Posted by thedrunkenodyssey in Film, Michael Caine, The Curator of Schlock

≈ Leave a comment

The Curator of Schlock #268 by Jeff Shuster

The Ipcress File

Michael Caine is Harry Palmer in The Ipcress File!

I discovered an old audio clip of Orson Welles going on a furious rant while doing a commercial for frozen fish sticks. The script called for Welles to say “crisp, crumb coating.” Or was it “crumb, crisp coating”? Regardless, Welles yelled at the director. I guess those words don’t roll off the tongue so well. Kind of like the word Ipcress.

Ipcress.

Kind of reminds me of watercress. Watercress sandwiches. I don’t get the English.

Ipcress1

Tonight’s movie is 1965’s The Ipcress File from director Sidney J. Furie. The movie is adapted from the novel, The IPCRESS File by Len Deighton. Why Ipcress is in all caps for the novel and not for the motion picture remains one of history’s greatest mysteries. The film was touted as the “Thinking Man’s Goldfinger” and was produced by one of the producers of the James Bond series, Harry Saltzman. And most importantly, it was the movie made Michael Caine a household name.

Ipcress4

Michael Caine plays Harry Palmer, a bespectacled member of Great Britain’s Ministry of Defence. That is not a typo. That is how the British spell defense. I guess when they’re done stuffing their faces with watercress sandwiches, they’re busy trying to undo the hard work of Noah Webster, but I digress. Much like your Curator of Schlock, Harry Palmer enjoys the finer things in life. He’ll buy the fancy canned mushrooms at the grocers even if said mushrooms cost more money because they have the better flavor.

Don’t be expecting exotic locales in this movie. The film takes place in dismal, dreary London. That, or the movie needs remastering in 4k. You get to see Harry Palmer shopping for his fancy canned mushrooms in a 1960s American-style grocery store, crashing his cart into other carts. That’s the closest you’ll get to a car chase in this flick. Remember, this is a cerebral Bond picture so put on your thinking cap and don’t bother waiting to ogle Ursula Andress because she isn’t in this movie.

Ipcress2

There’s some action. I think Harry Palmer gets into some fisticuffs with some bald guy before losing the tail. He accidentally shoots and kills a CIA agent at some point. I’m not sure who the bad guys are. Communists or some kind of SPECTRE-like organization? They’ve been causing scientists to quit their profession, causing a severe deficiency in British Intelligence. It’s up to Harry Palmer and they rest of the Ministry of Defence to get to the bottom of this, all while ignoring the misspelling of their defense department.

Ipcress3

Do you like seeing Michael Caine get tortured? The bad guys have some sort of brainwashing machine they invented, tucking Harry Palmer in some kind of metal-rimmed room while blaring noise at him. Palmer keeps self-inflicting pain to avoid the brainwashing. Will he triumph? I guess he will since they made two sequels. Next week we’ll see Harry Palmer in Funeral in Berlin. Maybe 1960s Berlin will be cheerier than 1960s London.


Jeffrey Shuster 1

Photo by Leslie Salas

Jeffrey Shuster (episode 47, episode 102, episode 124, episode 131, and episode 284) is an MFA graduate from the University of Central Florida.

Aesthetic Drift #19: The Underdog Saga: An Afternoon of Poetry and Baseball

11 Thursday Apr 2019

Posted by thedrunkenodyssey in Aesthetic Drift, O, Miami, Poetry

≈ Leave a comment

Aesthetic Drift #19 by Rose Lopez

The Underdog Saga: An Afternoon of Poetry and Baseball

April 6, 2019

In October 2017, my husband and I moved with our daughter from Germany back to Miami. We’d been gone from the city nearly seven years. But I have been following O, Miami since at least 2011. Back then the organization went by University of Wnywood. That year was also the inaugural year of their month-long poetry festival, held every year in April. This is the first year I’ve ever been able to attend. (Last year I was hugely pregnant with our second child.)

I take the baby, Lily, with me down to Coral Gables to watch the rematch of the Young Viejos versus the Old Poets, a baseball game at the Coral Gables War Memorial Youth Center.

The Young Viejos are Miami’s oldest-running community baseball team. The team is made up entirely of men over 65. (The City of Coral Gables website, which lists the team under their “Adult 50+ Services,”does not specify that the team is men’s-only, but there are no women playing on their team that I can see.) The team ordinarily plays twice a week.

The Old Poets and The Young Viejos

The Old Poets are O, Miami’s “ragtag”team, according to the organization’s managing director, Melody Santiago Cummings. “The last time we were on the field was last year,”she tells me. “And they slaughtered us,”she says of the Young Viejos.

The game is already underway when I arrive with Lily strapped to me in the baby carrier, and the Old Poets are at bat. There are three or four spectators in the stands beside the Young Viejos dugout, but the Old Poets stands are occupied only by sunlight. Lily and I have barely sat down when Cummings invites us into the dugout for shade.

Young Viejos Captain Glenn Terry in Old Poets Dugout Handing Out Cracker Jacks

I’ve just seen an episode of Star Trek: Deep Space Nine, where the space station is being overrun by objects of the crew members’imaginations. One is a famous baseball player, Buck Bokai, who tells the space station’s commander, Benjamin Sisko, that no one has time for baseball anymore.

Even though I’ve chosen to sit among the Old Poets, I’m not cheering for a particular side. I’m there for love of poetry and baseball. I love rooting for the underdog, and I feel like literature and baseball fit that bill.

A Spectator Reads From a Book Before His At Bat

Each time a new batter comes to the plate, he or she reads or recites lines of poetry out to the field through a megaphone, which has “This Machine Kills Fascists”written along one side, a loving nod to Woody Guthrie. Sometimes the batters don’t have lines of their own to speak, so Cummings or another Old Poets player pulls pre-typed strips of poetry from a cardboard box near home plate to read for them. The lines are often about baseball or about Miami.

Both teams make some nice catches and hit some good balls. It’s clear, though, that the Young Viejos are more skilled than their Old Poet counterparts. I overhear one of the Old Poets saying to a teammate, “The important thing is it looked good,”after the teammate smacks a pitch into left field, only to be thrown out.

O, Miami Player at Bat

My favorites words spoken are from a Young Viejos player—Gonzalez, his shirt says—as he’s preparing to bat.“You can stay young forever,”he says. “Keep playing baseball.”After the game, I’ll see him ride away on his skateboard.

Players Shake Hands After the Game

The Young Viejos beat the Old Poets again, 14 to 9. Afterwards, I introduce myself to P. Scott Cunningham, O, Miami’s founder and executive director, as well as captain of the Old Poets. I’ve emailed him before about volunteering for the organization, but we’ve never met in person. I mention that it’s my first time at an O, Miami event and he laughs. “This is not a typical event,”he says. “But it kind of is typical, because it’s not typical.”

I ask him about the relationship between baseball and poetry. “Playing baseball and reading poetry are both very contemplative,”he says.

O, Miami Founder and Executive Director P. Scott Cunningham

I think this is true of writing as well as of watching baseball. They’re slow-moving processes.

As a kid, I played on a softball team. My coaches stuck me in right field because I wasn’t very good. I wasn’t very good because I’d get bored out there—not much happens in right field—and start daydreaming about diving to save a fly ball or hitting a home run over the fence. When a ball was finally hit my way, I’d be too distracted, and always ended up dropping the ball or watching it roll past my glove.

I think, too, of how I feel as a spectator. I hear the clean smack of a line drive ball fielded by a glove, or feel my belly swoop as a ball makes its arc to the outfield, and I still fantasize about hitting one over the fences. If I hadn’t had my daughter strapped to my chest, I might have asked for an at bat.

Each time I read something great, I feel the same way. Like picking up a pen and swinging at words until something connects. It’s why I’m there.


The O, Miami Poetry Festival has poetry springing up all over Miami in April. Learn more here.


Rose Lopez

Rose Lopez is working toward her MFA in creative writing from Florida International University. She also contributes content for the Miami International Book Fair. Her first short story was published with Big Muddy earlier this year. She lives in Miami with her husband and two children.

 

 

Comics Are Trying to Break Your Heart #14: Let Me Tell You About Homestuck

10 Wednesday Apr 2019

Posted by thedrunkenodyssey in Comics Are Trying to Break Your Heart

≈ Leave a comment

Comics Are Trying to Break Your Heart #14 by Drew Barth

Let Me Tell You About Homestuck

Let’s talk about April 13th, 2009. Andrew Hussie, creator of MS Paint Adventures, had recently completed his latest webcomic endeavor in Problem Sleuth and was beginning to launch his next project. MS Paint Adventures had garnered a decent following with Problem Sleuth due to the comic’s absurdist humor, use of reader participation, and the simple problem of opening a front door that spiraled into a seventeen hundred page adventure. Hussie decided to take the format and humor he’d begun with Problem Sleuth and expanded upon it further with his next webcomic project, Homestuck.

00001

From that first image alone, Homestuck would eventually evolve into a behemoth of the webcomic form and begin its own Internet cultural wave. Fans would begin conversations with the uninitiated in much the same way Mormons would: Would you like to talk about Homestuck? And that conversation about Homestuckis worth having at the comic’s tenth anniversary. Clocking in at over eight hundred thousand words, eight thousand pages, a combined four hours of animation, various flash games, and a fourteen minute long animation as an end to the comic’s fifth act (that subsequently crashed the MS Paint Adventures website as well as its second host, New Grounds, due to the high volume of traffic trying to watch the animation when it was first released), Homestuck typifies the word “behemoth” when it comes to webcomics.

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The question “what the hell is Homestuck?” became a meme both for the internet at large as well as within the Homestuck fandom itself. And, honestly, the plot of Homestuckis as convoluted as the comic is long. Just look at Homestuck’s Story Map included on the website to help make some sense of where certain acts are within the story at large. However, as a way of summarizing all of Homestuck, the comic is essentially about four internet friends playing a video game that destroys the world to create another universe. There’s also aliens in the form of candy-corn horned Trolls, sapient chess pieces, Mark Twain, and an obsession with the stuffed bunny from Con-Air that becomes increasingly relevant to the plot as Homestuck progresses.

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The absurdity of its plot and humor is a part of what makes Homestuckso endearing to so many people. Couple that with a cast of a few dozen characters for fans to connect with and it isn’t surprising that Homestuck would sprout a fandom massive enough to help Andrew Hussie raise close to $2.5 million for a Homestuck video game. And this massive online following makes perfect sense. Homestuckat its core is about four internet friends that have never met and spend most of their time talking with each other through online messengers. As most of Homestuck’s audience were teenagers when the series first came out, myself included, the idea of showing these online friendships as not just valid forms of friendship but as a backbone of the whole series resonated incredibly well with its audience. That and the messenger dialogue that reads like what a normal teenager would talk about online.

hschat

Almost all the dialogue in Homestuck appears as these messenger logs and is the reasons its word count dwarfs that of War & Peace.

More than anything else, what Homestuck did is push the medium of webcomics further than almost anything else out at the time. A fair amount of webcomics stuck hard to the “comics” aspect of the form and still created fantastic stories as a result. But Homestuckwent further and fully embraced the idea of a web-based comic series. Each page of the comic is typically a single panel and a large amount of them are animated in some way. Be it the simple eyes moving of the first page or the multi-minute animations that would typically end acts or highlight major plot moments, Hussie took full advantage that a digital canvas offered. And that isn’t even touching the twenty-seven albums produced for Homestuck that include songs featured in its various animations.

hus

Homestuck is a lot of things to a lot of people. Many of us came to the comic for the weirdness, the memes, and the overall humor of it. Some people came to Homestuckfor the challenge of finishing a piece of fiction so long and convoluted. And others came to pair characters together romantically. But more than anything, people came to Homestuckbecause it was something different. There isn’t quite any comic or webcomic quite like it when it came out and there hasn’t been anything like it since it ended in 2016. As far as webcomics goes, Homestuck took the medium and did whatever it wanted with its web-based format to create a different kind of webcomic that didn’t exist before. As far as comics in general go, Homestuck became a viable way to showcase stories online for free and created a massive following with it. Webcomics have been around for decades, but Homestuck and Andrew Hussie created a comic that can really only ever exist online. And that’s great because Homestuck is about making a life online.


drew barth

Drew Barth (Episode 331) is a writer residing in Winter Park, FL. He received his MFA from the University of Central Florida. Right now, he’s worrying about his cat.

Episode 361: Sara Batkie!

06 Saturday Apr 2019

Posted by thedrunkenodyssey in Craft of Fiction Writing, Episode

≈ 3 Comments

Tags

Better Times, Magic Realism, Sara Batkie

Episode 361 of The Drunken Odyssey, your favorite podcast about creative writing and literature is available on iTunes, or right click here to download.

In this week’s episode, I go back to Jack Kerouac’s house to talk to fellow fiction writer and NYU alum Sara Batkie about Realism, Magic Realism, historical fiction, the composition of a story collection, NYU’s MFA program, the upsides of reading for literary magazines, and our evolutions as writers.

Sara Batkie

TEXT DISCUSSED

Better Times


Episode 361 of The Drunken Odyssey, your favorite podcast about creative writing and literature is available on iTunes, or right click here to download.

The Curator of Schlock #267: Fist of the North Star

05 Friday Apr 2019

Posted by thedrunkenodyssey in animation, Anime, Film, The Curator of Schlock

≈ Leave a comment

The Curator of Schlock #267 by Jeff Shuster

Fist of the North Star

Welcome all my friends to the show that never ends. 

My MacBook Pro power cord died on me again. This happens from time to time. Maybe I need to hang it up and buy a PC. So I’ll be wrapping up Anime Month today even though it’s April. Tonight’s feature is 1986’s Fist of the North Star from director Toyoo Ashida. This movie is guaranteed to blow your head apart. Sorry. I’ve got Emerson, Lake & Palmer on my brain. Maybe because I saw so many brains exploding out of heads in Fist of the North Star.Fist1This might be the most violent animated motion picture I have ever seen. Hell, this might be the violent motion picture I’ve ever seen. Fist of the North Star begins with the world being nuked into oblivion. Must have been the Soviets. Or maybe it was Matthew Broderick. At any rate, you see the full horror of that nuclear fallout, people stumbling around as their skins melt off. The aftermath leaves the world a wasteland reminiscent of the Mad Max movies. Only the strong survive in this cruel, new world.

Fist2

Enter our hero, Ken (voiced by John Vickery), a martial arts master with the title of Fist of the North Star. While traveling with his fiancé, Julia (voiced by Melodee Spivack), he gets challenged by the Fist of the South Star, Shin (voiced by Michael McConnohie). Shin is Ken’s best friend from childhood, but he wants Julia for himself so he challenges Ken to a fight. One thing to note about many of the men in this film is that they’ve got muscles upon muscles upon muscles. Arms and legs shaped like tree trunks. I wonder how these men can pack on the muscle when food is so scarce in this post-apocalyptic world.

Fist of the North Star Movie 10

Fist of the North Star Movie 10

Ken loses the bout and is left for dead. Shin and his gang of hooligans make off with Julia. Fast-forward a year. A gang of marauders is chasing two kids named Bat and Lin. I think Lin has some psionic powers because she summons Ken from the wasteland. Ken fights the marauders and knocks a couple of ruined skyscrapers over. This movie is kind of a blur to me. Maybe it’s because I can’t keep track of whose head exploded when and where.

Fist3

Yes, Ken has a martial arts technique where he touches pressure points on another guy’s head resulting in his opponent’s brain exploding from his skull. People get killed in all sorts of ways in this movie. Some get crisscrossed into chunks. Others spill their guts all over the ground. It’s all really quit nasty. Still, if you look past the carnage, you’ve got a movie that champions love, honor, and the restoration of the Earth to a green paradise. I think they released a Fist of the North Star video game last year. You get to explode men’s heads in the game. It’s amazing what they can do with technology these days.


Jeffrey Shuster 3

Photo by Leslie Salas.

Jeffrey Shuster (episode 47, episode 102, episode 124, episode 131, and episode 284) is an MFA graduate from the University of Central Florida.

Comics Are Trying to Break Your Heart #13: Hitch a Ride to Cemetery Beach

03 Wednesday Apr 2019

Posted by thedrunkenodyssey in Comic Books, Comics Are Trying to Break Your Heart

≈ Leave a comment

Comics Are Trying to Break Your Heart #13 by Drew Barth

Hitch a Ride to Cemetery Beach

Let’s talk about action comics. Not Action Comics. Rather comics that are quick, dynamic, and bursting at the brim with explosions. Action comics in this vein are typically shorter series that take a single idea and develop it as far as it can go. There is also no better master at action comics like Warren Ellis—simply look at Desolation Jones, RED, or his short run on Moon Knight. His penchant for stand-alone short series is typified even more with his and Jason Howard’s most recent undertaking: Cemetery Beach.

cebe-1

Imagine a bunch of industrialists in the 1920s found a way to travel to a different planet. Now imagine those same people went off-world, established a colony, and didn’t have a plan to go back if the whole thing failed. And imagine further that same group of colonists from a hundred years prior are all being kept alive by alien mushrooms. All of that is what our hero, Michael Blackburn, has to contend with after being captured and interrogated. In terms of the set-up, Cemetery Beach is a rather straight-forward comic: hero deals with madness in an unfamiliar place with the help of a local to get him to his escape vessel without being killed horribly. Then again, people escaping from a situation that will kill them horribly has become a Warren Ellis staple.

cebe-2

Where Cemetery Beach really separates itself from every other action series coming out is how Ellis and Howard handle pacing and paneling for the series. Ellis has been writing comics longer than I’ve been alive and nearly every series he’s produced over the past decade has been a masterclass in how to script moment-to-moment action. Coupled with Jason Howard’s line and shading work that can turn a mostly empty room into a den of menace, Cemetery Beach creates this constant line of tension throughout that keeps readers invested and intrigued. As a creative team, Ellis and Howard are surgical in their inclusion of frantic movement and calm conversations. Michael and his companion, Grace Moody, run screaming through different zones of the colony, but every issue follows a steady beat of action and character revealing moments.

And what Cemetery Beach is above everything else is this perfect little blast of action comics told in just seven issues. It isn’t a series that’s trying to go longer than it needs to or become an ongoing behemoth of a series. Cemetery Beach doesn’t need separate volumes, an omnibus, collected editions, nothing like that. A reader only needs that single volume that collects all seven issues, and that’s it for the whole story. This form of condensed storytelling that can be collected into a single volume is something that Ellis has mused about multiple times in his newsletter and has lamented how these shorter forms of comic storytelling aren’t all that profitable. People seem to like longer running series. Even when we look at the numbers in terms of what’s selling well, the majority of spots on the list are different volumes of longer running series—with the exception of a few one-offs and the base material for the last Avengers film. But monthly comics need series like Cemetery Beach.

cebe-3

We love a long running series—evidenced by how well Saga and The Walking Dead are still selling, not to mention most manga series we see on shelves—but giving creators these small spaces to work in can be liberating. Creators should have a space for small-scale ideas that don’t need to be a part of a forty-plus issue story. And they did have that years ago when Johnathan Hickman was putting out The Nightly News and Pax Romana, and even still while Paul Pope was creating Heavy Liquid and 100%. They were able to put out quick four-to-six issue stories that were made to be shorts and not apart of something more massive. And although we do have graphic novels that are completely self-contained stories, monthly comics are a different medium in terms of how creators tell stories.

We as readers need to take more chances on these short stories. A five issue investment isn’t the same as committing to a forty issue series. Small stories like Cemetery Beach are what comics need to keep thriving as a creative industry—they can help to bring more readers into stores as well as more creators to the comics table who don’t have a sweeping epic planned before they’re twenty-five. Short series are spaces for creators and publishers to take risks with new forms, stories, and talent and without them the entire industry stagnates.

Get excited. More stories are coming.


drew barth

Drew Barth (Episode 331) is a writer residing in Winter Park, FL. He received his MFA from the University of Central Florida. Right now, he’s worrying about his cat.

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