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The Drunken Odyssey

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The Drunken Odyssey

Monthly Archives: October 2021

Episode 496: TDO vs. The Curator of Schlock #9

30 Saturday Oct 2021

Posted by thedrunkenodyssey in Episode, Film, Horror, The Curator of Schlock

≈ 4 Comments

Tags

Beavis and Butthead, Blade Runner, Eihi Shiina, Escape from New York, Ichi the Killer, John Carpenter's The Thing, Oscar Wilde, Robocop, Russ Meyer, Scanners, Shakespearean Comedy, Streets of Fire, The Trials of Oscar Wilde, Tokyo Gore Police, Yoshihiro Nishimura

Episode 496 of The Drunken Odyssey, your favorite podcast about creative writing and literature is available on Apple podcasts, stitcher, spotify, or click here to stream (right click to download, if that’s your thing).

Photo by Leslie Salas.

On this week’s show, Jeff Shuster and I discuss the sensitive contribution to cinema that is Tokyo Gore Police.

TEXTS DISCUSSED

NOTES

ScribophileTDO listeners can get 20% of a premium subscription to Scribophile. After using the above link to register for a basic account, go here while still logged in to upgrade the account with the discount.

Check out my literary adventure novel, Guy Psycho and the Ziggurat of Shame.


Episode 496 of The Drunken Odyssey, your favorite podcast about creative writing and literature is available on Apple podcasts, stitcher, spotify, or click here to stream (right click to download, if that’s your thing).

The Curator of Schlock #375: House

29 Friday Oct 2021

Posted by thedrunkenodyssey in Horror, The Curator of Schlock

≈ Leave a comment

The Curator of Schlock #375 by Jeff Shuster

House

William Katt for the win!

As I was saying, Edwige and I were being held captive by an angry mob in a small village in the province of Saskatchewan. I blacked out after having been zapped by a cattle prod. I woke up in a solitary cell. A tray of chicken Kiev slipped through the slot at the bottom of the door. I asked for some Taster’s Choice coffee, but got no answer.

Then I wept.

I hope Edwige is okay.

This week’s Arrow home video release is 1986’s House from director Steve Miner. He also directed Friday the 13th Part 2 and Friday the 13th Part III, but don’t worry, this is not one of those despicable slasher movies. I wouldn’t be caught dead reviewing one of those.

I run a clean blog here.

House is one part haunted house movie and one part Vietnam War movie.

The movie is about a famous horror writer named Roger Cobb (William Katt). He’s basically a Stephen King type of writer with legions of fans who follow him around to book signings. Much to his agent’s and readers’ chagrin, Cobb has decided to write a memoir about his experiences in the Vietnam War. His agent warns Roger that he’d better have a draft written by the end of the month if he wants to keep his advance.

Roger seeks solitude in the suburban home of his deceased Aunt Elizabeth (Susan French). Her body was found dangling from a noose in her second floor bedroom. Roger has a bad history with this house. His own son went missing on the property awhile back and was never found. Roger and his wife divorced due to the strain.

Roger is keen to get working on his memoir when his next door neighbor, Harold (George Wendt), starts bugging him to have a beer. Roger insists that he needs solitude.

We get to see glimpses of Roger’s memoir through his Vietnam flashbacks. One of his comrades was Big Ben (Richard Mall), a blowhard Roger couldn’t stand. However, when Big Ben got shot up by the Viet Cong, Roger couldn’t bring himself to finish him off. Roger vowed to get Big Ben medical attention, but Roger hadn’t gone far before the Viet Cong had discovered Big Ben, dragging him off to be tortured.

Did I mention there are creepy ghosts in this movie? There’s the thing that lives in the closet of his aunt’s bedroom. There’s the ghost that looks like a bloated, demented version of his ex-wife. Tools from the lawn shed float in mid air and try to slice and dice Roger. He babbles on about all this to Harold who thinks he’s crackers.

Roger buys a ton of video and camera equipment hoping to record one of these specters, but there’s much more at play here. Seems the house is keeping his son captive in some sort of dark dimension related to Roger’s Vietnam experience. That’s all I can say on the subject. Check this one out, readers.


Photo by Leslie Salas

Jeff Shuster (episode 47, episode 102, episode 124, episode 131, episode 284, episode 441, episode 442, episode 443, episode 444, episode 450, episode 477, episode 491, episode 492, episode 493, & episode 495) is an MFA graduate from the University of Central Florida.

Comics Are Trying to Break Your Heart #146: Old Cat, New City

27 Wednesday Oct 2021

Posted by thedrunkenodyssey in Comic Books, Comics Are Trying to Break Your Heart

≈ Leave a comment

Comics Are Trying to Break Your Heart #146 by Drew Barth

Old Cat, New City

Gotham is an essential setting in the DC Universe. We’ve seen it change dozens of times over the years. How far into the future can the city go and still be recognizable? Cliff Chiang pushes Gotham far into a troubled future  in Catwoman: Lonely City.

Selina Kyle, Catwoman, has been in Blackgate Penitentiary for the past ten years for the alleged murder of Bruce Wayne. In that time, Gotham changes. A storm passed over the city, resulting in destruction and flooding, including Kyle’s old home. Harvey Dent has passed himself off as newly-reformed and is currently mayor of Gotham—a position he’s used to commute Kyle’s sentence early. All of this is the direct result of an event, Fool’s Night, that happened a decade before the story began, that resulted in the death of much of the Bat-family, Commissioner Gordon, and potentially hundreds more that we don’t know about yet. Gotham has reacted to this night violently, trying to exorcise the darker parts of itself—Catwoman and every other nemesis of Batman included.

I’ve written previously about characters aging in canon and how that lends a surprising humanity to them. In this series in DC’s Black Label imprint, Chiang confront aging especially well.

After her serious stint in prison, Selina has a bad back, her muscles have a harder time keeping her aloft, and Gothamites just sees her as this old thief who killed Batman. Others (Harvey Dent, Oswald Cobblepot, and Waylon Jones) are no longer their past personas. They’re instead mayor of Gotham, an off-shore accountant, and an aging bouncer, respectively. But Catwoman never gets this erasure—that cat-shaped cowl hangs from her head forever.

If there’s anything I want to keep seeing from DC’s Black Label, it’s realist-tinged stories like Catwoman: Lonely City. There’s something satisfying to seeing a character finally age after decades of them being in their ambiguous twenties/thirties. It gives them a sense of their stories actually progressing, of them changing as characters. And, as many comic readers are getting older, we can relate more to characters with back pain and bad knees.

Get excited. Get old.


Drew Barth at Miami Book Fair in 2019.

Drew Barth (Episode 331 & 485) is a writer residing in Winter Park, FL. He received his MFA from the University of Central Florida. Right now, he’s worrying about his cat.

Episode 495: TDO vs. The Curator of Schlock #8

23 Saturday Oct 2021

Posted by thedrunkenodyssey in Episode, Film, Horror, The Curator of Schlock

≈ 2 Comments

Episode 495 of The Drunken Odyssey, your favorite podcast about creative writing and literature is available on Apple podcasts, stitcher, spotify, or click here to stream (right click to download, if that’s your thing).

Photo by Leslie Salas

On this week’s show, Jeff Shuster and I discuss a delightfully gory horror musical from the director of four Saw movies.

TEXTS DISCUSSED

NOTES

ScribophileTDO listeners can get 20% of a premium subscription to Scribophile. After using the above link to register for a basic account, go here while still logged in to upgrade the account with the discount.

Check out my literary adventure novel, Guy Psycho and the Ziggurat of Shame.


Episode 495 of The Drunken Odyssey, your favorite podcast about creative writing and literature is available on Apple podcasts, stitcher, spotify, or click here to stream (right click to download, if that’s your thing).

Comics Are Trying to Break Your Heart #145: Guess We’ll DIE

20 Wednesday Oct 2021

Posted by thedrunkenodyssey in Comic Books, Comics Are Trying to Break Your Heart

≈ Leave a comment

Comics Are Trying to Break Your Heart #145 by Drew Barth

Guess We’ll DIE

Let’s reach our way back to the second thing I ever wrote for this article and talk about what is now one of my favorite comics of this century: Kieron Gillen and Stephanie Hans’ DIE. It’s been over two years since the first issue released and, with the final issue releasing recently, it’s time to re-immerse ourselves into the roles of writer, readers, and passerbys as DIE takes a look at all the roles we play and finds a way to grind them down until only the purest part of our humanity remains.

As writer Kieron Gillen originally described it, DIE is like a “goth Jumanji” as a group of friends play a tabletop role-playing game and find themselves trapped in the world their friend and Game Master had created. This happened when they were all teenagers in the early 90s. Now it is 2018 and they are forced into the game again by invitation of the friend that was left behind in the original game. Things happen. People get hurt. People die. A city is leveled. A nation is manipulated. Problems upon problem. But all of that isn’t instant. A twenty issue series with creators like Gillen and Hans at the helm know was escalation should feel like—from five friends trying to figure out how to get back home to causing a city to be destroyed to helping prevent reality from distorting, everything builds. Background stakes remain the same—escaping—but everything else ramps up more and more in such a perfect arc that there’s likely an equation I can punch into my graphing calculator to match it.

One of the main things DIE asks us as readers is: How do we approach playing games? Do we recognize right away that we’re involved in a game and mentally divorce ourselves from consequences? Or do we embrace the world before us, embody our roles, and play them as though our lives were dependent on our actions? It is one of the more interesting aspects of playing RPGs—that chance to explore a different version of ourselves. But there’s a difference between playing the adventurer and playing a piece of yourself that you’ve left long-buried because you’ve had no other opportunities to examine, let alone acknowledge, that part. It’s what the characters in this series go through as well—will Ash embrace parts of themself that they’ve been burying or can Chuck look at the world of DIE as something meaningful even though he himself will die soon? Every character deserves their own deep examination as their arcs are just as splendidly done as the plot.

All of that and I didn’t even mention that the world of DIE is also in part the creation of writers like the Brontes, H.G. Wells, J.R.R. Tolkein, and H.P. Lovecraft. Or, at least facsimiles that the world of DIE needed to develop. There’s so much to DIE as a comic and a world that it’s difficult to condense it down into a few hundred words. But it is the kind of series with such deep thought put into so much of its pacing, characters, world, tension, and plot that you want to see it reflected in every series you read.

Get excited. Get DIE.


Drew Barth at Miami Book Fair in 2019.

Drew Barth (Episode 331 & 485) is a writer residing in Winter Park, FL. He received his MFA from the University of Central Florida. Right now, he’s worrying about his cat.

Episode 494: Lindsay Ellis!

19 Tuesday Oct 2021

Posted by thedrunkenodyssey in Craft of Fiction Writing, Episode, Science Fiction

≈ Leave a comment

Episode 494 of The Drunken Odyssey, your favorite podcast about creative writing and literature is available on Apple podcasts, stitcher, spotify, or click here to stream (right click to download, if that’s your thing).

On today’s show, I talk to science fiction novelist Lindsay Ellis!

TEXTS DISCUSSED

NOTES

ScribophileTDO listeners can get 20% of a premium subscription to Scribophile. After using the above link to register for a basic account, go here while still logged in to upgrade the account with the discount.

Check out my literary adventure novel, Guy Psycho and the Ziggurat of Shame.


Episode 494 of The Drunken Odyssey, your favorite podcast about creative writing and literature is available on Apple podcasts, stitcher, spotify, or click here to stream (right click to download, if that’s your thing).

Episode 493: TDO vs. The Curator of Schlock #7

16 Saturday Oct 2021

Posted by thedrunkenodyssey in Episode, Film, Horror

≈ 2 Comments

Episode 493 of The Drunken Odyssey, your favorite podcast about creative writing and literature is available on Apple podcasts, stitcher, spotify, or click here to stream (right click to download, if that’s your thing).

Photo by Leslie Salas

On this week’s show, Jeff Shuster and I discuss an underrated adaptation of a Clive Barker short story, the delicately-titled The Midnight Meat Train.

TEXTS DISCUSSED

NOTES

ScribophileTDO listeners can get 20% of a premium subscription to Scribophile. After using the above link to register for a basic account, go here while still logged in to upgrade the account with the discount.

Check out my literary adventure novel, Guy Psycho and the Ziggurat of Shame.


Episode 493 of The Drunken Odyssey, your favorite podcast about creative writing and literature is available on Apple podcasts, stitcher, spotify, or click here to stream (right click to download, if that’s your thing).

The Curator of Schlock #374: Brain Damage

15 Friday Oct 2021

Posted by thedrunkenodyssey in Episode, Horror, The Curator of Schlock

≈ Leave a comment

The Curator of Schlock #374 by Jeff Shuster.

Brain Damage

This is peak schlock. 

So I was being dragged out of my truck by a crazed mob in the town of Mooseville in the province of Saskatchewan. I guess they were a little angry over my being a few months late with a delivery that would have saved their town. Before I knew it, a ball gag was being stuffed in my mouth and my ears started ringing due to all the shouting. A malcontent with a pot belly and a hairy back stuck a cattle prof in my side and I was out cold. — To be continued.

This week’s Arrow Home Video release is 1988’s Brain Damage from director Frank Henenlotter. According to Wikipedia, this movie is about a young man becoming host to a “long, phallic parasite.” Yes, that is what this movie is about, but it is so much more. For instance, this particular parasite eats brains—human brains! Imagine that you’re going about your day and a long, phallic parasite launches himself to your forehead and sucks your brain out! Yikes. Not the way I’d want to go.

Our movie revolves around a young man named Brian (Rick Hearst) who’s a bit under the weather. When Brian wakes up from a troubled sleep, he feels something wriggling around his body. Finally, the parasite introduces himself. We learn his name is Alymer (voiced by John Zacherie) and he makes a proposal to Brian: he’ll make Brian’s life a wondrous experience if Brian takes him out for nightly strolls. Brian agrees. Alymar attaches himself to the back of Brian’s head, shoots some blue juice all over Brian’s brain, and Brian is high as a kite.

Seriously, Brian goes to a junkyard and starts seeing funky colors dancing off of all the stacked automobiles. He’s so entertained that he doesn’t really notice Alymer sucking the brains out of the nighttime security guard. Brian’s brother, Mike, and girlfriend, Barbara, notice that Brian is acting strange. When Brian takes Barbara out for a fancy dinner, he sees spaghetti and brainballs on his plate.

After Brian goes to a club in a brain-juice-induced super, he gets hot and heavy with one of the dancers. The two of them go to the back alley where she promptly gets her brains sucked out by the parasite. Brian gets confronted by his neighbor, Morris (Theo Barnes), about feeding Alymer human brains. Morris was the previous host of Alymer and only fed him animal brains. Morris tells Brian that Alymer has been passed from host to host for centuries. It doesn’t end well for the hosts.

Brian confronts Alymer and wants a separation. Alymer tells Brian that he won’t be able to survive the withdrawal from the brain juice. During Brian’s withdrawal, Alymer mocks him and even sings to him as Brian pukes all over the bathroom floor.

Unable to deal with the pain any longer, Brian allows the parasite to join with him again. This won’t work out for Brian or any that get in his way, but you’ll want to stick around for the explosive finale.

I know. I know. You would never watch a movie about a parasite that eats people. You say this as you wait in line to buy your ticket for Venom: Let There Be Carnage.


Photo by Leslie Salas.

Jeff Shuster (episode 47, episode 102, episode 124, episode 131, episode 284, episode 441, episode 442, episode 443, episode 444, episode 450, episode 477, episode 491, and episode 492) is an MFA graduate from the University of Central Florida.

Comics Are Trying to Break Your Heart #144: Oh, Spooks?

13 Wednesday Oct 2021

Posted by thedrunkenodyssey in Comic Books, Comics Are Trying to Break Your Heart, Horror

≈ Leave a comment

Comics Are Trying to Break Your Heart #144 by Drew Barth

Oh, Spooks?

Is it already the spooky season again? Is this also the second year in which this article has come out during the plague? Yes to both, but at least the former is a fun kind of scary instead of the existential terror of time’s continual march. And you know what else is more fun than creeping dread? Spooky comics. More specifically, spooky anthologies. Many of the best comics and creators began their lives in anthologies—some of those original ones were so spooky they had to create a code to tone them down since some people in the 50s were cowards. Anyway. Spooky anthologies are in comics’ DNA and having a new one in Are You Afraid of Darkseid? is a delight during this time of the year.

Centered around the Teen Titans telling campfire stories, Are You Afraid of Darkseid? is a collection of short pieces from the creepiest parts of the DC Universe. Encompassing everything from urban legends and folklore to cryptids and monsters to some more creeping horrors in the form of stairs and buildings, the Titans try to scare each other as much as they can to become closer as a team. And, honestly, the creepiness of these stories works incredibly well throughout. There is a piece on The Phantom Stranger and their role in the universe that feels like it was taken from some of the original 60s anthologies; another on Batman and the Mad Hatter that’s reminiscent of the “killer in the backseat” urban legend; and a story with Aquaman and Aqualad defending Ogopogo from the other creatures in Okanagen Lake.

While Are You Afraid of Darkseid? is a quality anthology, it does also ask why anthologies like this aren’t more common from many of the larger publishers. Although DC has been consistent in their seasonal anthologies and works like Batman: Black and White and Wonder Woman: Black and Gold, some of these series have been more recent developments and seasonal anthologies are just that—seasonal. We’re also seeing a proliferation of anthologies on Kickstarter that follow singular themes, but those are typically single issue works as well. Is there a space for longer-running anthologies in the same vein as Tales From the Crypt or House of Mystery in comics today? There are absolutely a wealth of creators out there looking to put their work into the world, but are seasonal anthologies and occasional Kickstarter work the only areas for them to publish their work to a broader audience?

I’ve talked about it multiple times in the past, but anthologies are the lifeblood of comics—these are where new talent can come and demonstrate the work they’re capable of. But how many publishers want to take on that risk anymore? Even these spookier anthologies are novelties for the season, but they point to a problem that there is a shrinking place for newer creators with larger publishers. And if comics can’t adapt to what readers want from these anthologies, there’s not much of a future for them.

Get excited. Get spooky.


Drew Barth at Miami Book Fair in 2019.

Drew Barth (Episode 331 & 485) is a writer residing in Winter Park, FL. He received his MFA from the University of Central Florida. Right now, he’s worrying about his cat.

Episode 492: TDO vs. The Curator of Schlock #6

09 Saturday Oct 2021

Posted by thedrunkenodyssey in Episode, Film, Horror, The Curator of Schlock

≈ 4 Comments

Episode 492 of The Drunken Odyssey, your favorite podcast about creative writing and literature is available on Apple podcasts, stitcher, spotify, or click here to stream (right click to download, if that’s your thing).

Photo by Leslie Salas.

On this week’s show, Jeff Shuster and I discuss an quietly beautiful independent movie from 2005 called The Devil’s Rejects. Jeff & I get off track a lot.

TEXTS DISCUSSED

NOTES

Scribophile

  • TDO listeners can get 20% of a premium subscription to Scribophile. After using the above link to register for a basic account, go here while still logged in to upgrade the account with the discount.
  • Check out Jeff’s column, The Curator of Schlock.
  • Check out my literary adventure novel, Guy Psycho and the Ziggurat of Shame.

Episode 491 of The Drunken Odyssey, your favorite podcast about creative writing and literature is available on Apple podcasts, stitcher, spotify, or click here to stream (right click to download, if that’s your thing).

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