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The Drunken Odyssey

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The Drunken Odyssey

Monthly Archives: March 2022

Comics Are Trying to Break Your Heart #168: A Life’s Collections

30 Wednesday Mar 2022

Posted by thedrunkenodyssey in Comics Are Trying to Break Your Heart

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Comics Are Trying to Break Your Heart #168 by Drew Barth

A Life’s Collections

If we look around our rooms, we see our collections. The books, the artifacts, the bric-a-brac, the detrius. What we collect becomes just as important as why we collect. And a true collector knows when they have met another collector. Pierre Le-Tan was one of those collectors. From the apartment he maintained in Paris to the objects he drew, Le-Tan surrounded himself with collectors and collections. And it is in A Few Collectors, a series of ruminations on those collectors and the objects they surrounded themselves with, do we see the care and dedication Le-Tan had for those pieces that would define his life and his subjects’.

A Few Collectors is a collection about collectors. Le-Tan’s life was filled to bursting with individuals and their various collections—from art to wadded up paper. But it’s through his friends and acquaintances that he ruminates on their collections and the nature of collecting itself. What do these objects say about the people who collect them? Some of them define themselves by their collections while others don’t even let on that they have an apartment filled with precious objects until Le-Tan is invited over for a drink. But it’s the look at his own collection and the objects that he had and the ones he had sold off throughout years that is the most fascinating. The act of collecting is, in Le-Tan’s own words “both essential and completely useless.” But his collection and its continual tide-change maps out the kind of collector Le-Tan was: devout, yet distant.

Through Le-Tan’s inks, we truly begin to marvel at the collections he writes about. The distinct cross-hatching provides a depth and texture that makes these objects feel both ethereal and completely solid. They’re not meant to be photo realistic representations, but impressions of them through Le-Tan’s eye, but this makes them all the more real. Even the sketches of collector’s faces feel more like the person than a photograph. There is a warmth and nostalgia coming from his pen that can only be rendered by someone who had lived in 60s and 70s Paris—someone who has the first-hand account of these extraordinary collections through the decades. It is the kind of evocation that the Wes Anderson nostalgia of his younger audience can only grasp at. And yet we want to experience these collections for ourselves.

It is hard to pin down the kind of journey A Few Collectors brings its reader down. We are at once marveled at the stories of these eccentric collectors and the works that we would likely only see in museums now and pinched ever so slightly by the collecting bug ourselves. I look at my own room and the stacks of books or small plastic robots and wonder if this is the kind of collection that would be illustrated. But then I don’t mind if it is or not as it is my collection and mine alone.

Get excited. Get collecting.


Drew Barth at Miami Book Fair in 2019.

Drew Barth (Episode 331, 485, & 510) resides in Winter Park, FL. He received his MFA from the University of Central Florida. Right now, he’s worrying about his cat.

The Perfect Life # 36

28 Monday Mar 2022

Posted by thedrunkenodyssey in The Perfect Life

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The Perfect Life # 36 by Dr. Perfect

Dear Doctor,

Girl Scout Cookie season is upon us, but I was recently diagnosed with a severe gluten allergy. Seriously considering taking a week off work and bingeing a box or four of Thin Mints, for old times sake. Talk me off this ledge.

Sincerely,

The Sad Scout

————

Dear Sad Scout,

I’m replying between bouts of my own Thin Mints binge. They’re glorious. When asked how many boxes I’d like to purchase by scouts outside the supermarket, my first answer is always, “Yes.”

I don’t mean to be dismissive. I’m practicing material for my set at the Laugh Hole this weekend. Ladies drink free until eleven.

Of course, my state of mind is never in question. I just need to open another fresh box of delicious Caramel deLites. Maybe you caught me at a bad time. Nonetheless, allergies can be a real pain. They prevent us from enjoying the finer things in life, like shrimp and latex rubdowns.

During my college heyday, I developed a rare allergy to silk, which hindered my increasingly swanky lifestyle. My silk robe and various briefs were the first casualties. I was then deemed persona non grata at the national silk convention.

This kind of trauma sticks with you.

A friend of mine once claimed to be allergic to “meanness.”

I told her, “You have to be kidding.”

“No,” she said. “I break out into hives whenever someone is mean to me, honest.”

“There’s no way that’s medically possible,” I said.

“My doctor told me.”

“Well, your doctor’s a quack,” I snapped.

Next thing I knew, hives coated her face.

“See?” she cried. “Thanks a lot.”

For the record, I still don’t believe her.

Considering your current, unfortunate circumstance, I suppose you have no choice but to succumb to your diagnosis and drop the Girl Scout Cookies altogether. Take comfort in the fact that sweets aren’t everything. They are to me, but that’s not important. There are plenty of perfectly reasonable and healthy alternatives out there. You’ll also be pleased to know that the Girl Scouts offer gluten-free options. Of course, this may bring little solace. Their gluten-filled varieties remain a delectable godsend known only to those fortunate enough to indulge in their savory bliss.

You could do worse, though. At least you’re not in some Turkish prison, unlike some members of my family.

My doctor recently recommended that I limit my brandy to once a month. “What about my weekly galas?” I asked, mortified. He wasn’t sympathetic.

Please send whatever leftovers you have at your earliest convenience.


Dr. Perfect has slung advice across the globe for the last two decades due to his dedication to the uplift of the human condition.

Episode 516: A Discussion of Sally Rooney’s Novels, with Rachael Tillman!

26 Saturday Mar 2022

Posted by thedrunkenodyssey in Craft of Fiction Writing, Episode

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Episode 516 of The Drunken Odyssey, your favorite podcast about creative writing and literature, is available on Apple podcasts, stitcher, spotify, or click here to stream (right click to download, if that’s your thing).

In this week’s show, Rachel Tillman and I discuss the novels of Sally Rooney.

TEXTS DISCUSSED

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ScribophileTDO listeners can get 20% of a premium subscription to Scribophile. After using the above link to register for a basic account, go here while still logged in to upgrade the account with the discount.

The Kerouac Project of Orlando is open for applications for its residency program until April 17th.

Watch the farewell reading video of The Kerouac Project’s latest resident.


Episode 516 of The Drunken Odyssey, your favorite podcast about creative writing and literature, is available on Apple podcasts, stitcher, spotify, or click here to stream (right click to download, if that’s your thing).

The Curator of Schlock #374: Leprechaun 4: In Space

25 Friday Mar 2022

Posted by thedrunkenodyssey in Film, Horror, The Curator of Schlock

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Leprechaun 4: In Space

That is not how you title a movie!

Bad things were going down in a marsupial slaughtering factory in the Canadian Province of Saskatchewan. A bloodied factory worker had screamed about “devils on the loose” before breathing his last. Then came the howls from a shifting black mass of doom creeping in my direction. Dozens if not hundreds of rabid Tasmanian devils were headed toward me.

— To be continued.


This week’s movie is 1997’s Leprechaun 4: In Space from director Brian Trenchard-Smith. This is the one we’ve been waiting for, folks. I can’t think of any movie series that couldn’t be improved by sending it into outer space. This marks the last movie of the 90s era Leprechaun movies and the final movie in The Leprechaun Cycle. I remember catching this movie during its original IMAX run. Wow. You could count every whisker on Warwick Davis’s face!

Leprechaun 4: In Space begins with the Leprechaun (Warwick Davis) trying to coax the lovely Princess Zarina (Rebekah Carlton) into marriage. This isn’t taking place on Earth and Princess Zarina is not an Earthling. The year is 2096 and the Leprechaun is now living on a planet of gold. He wants to marry the princess and murder her father so he can become king of her homeward. Zarina’s on board when he promises to make her rich.

On a starship, we have a group of space marines on a mission to kill the Leprechaun. If you cynically think this movie is going to be like Aliens, but with the Leprechaun instead of the Xenomorph, you would be right. The Leprechaun manages to fall on a grenade and explode. A marine named Private Kowalski pees on his corpse, which allows the Leprechaun’s evil spirit to swim up the urine stream into the marine’s twig and berries.

Meanwhile, there’s a deformed cyborg named Dr. Mittenhand (Guy Siner) that wants to use the DNA from the princess to grow himself a new body, Princess Zarina has blue blood with regenerative properties. Mixed with Dr. Mittenhand’s DNA, this will give him a new lease on life. He is the real villain of the movie, a mad scientist complete with German accent.

Meanwhile, Kowalski is getting hot and heavy with his girlfriend. The Leprechaun manages to crawl out of Kowalski the same way he went in, revoking Kowalski’s membership in the process. With the Leprechaun on the loose, it’s open season on space marines. There’s one scene where two marines enter a room where a special bacteria devours every living thing it comes into contact with. Naturally, the Leprechaun tears a hole in one of the marine’s hazmat suits, leaving him to get eaten alive until there’s nothing left but bones.

What else? The Leprechaun and Princess Zarina manage to mess with the DNA cocktail meant to restore Dr. Mittenhand. They combine it with some tarantula and scorpion DNA, turning Dr. Mittenhand into a freakish monster. Also, the Leprechaun gets hit with a growth ray that turns him into a giant. What will the marines do? This is the last movie in my Leprechaun box set. Do I spring for more? Let me sit on that one for a while.


Photo by Leslie Salas.

Jeff Shuster (episode 47, episode 102, episode 124, episode 131, episode 284, episode 441, episode 442, episode 443, episode 444, episode 450, episode 477, episode 491, episode 492, episode 493, episode 495, and episode 496) is an MFA graduate from the University of Central Florida.

Comics Are Trying to Break Your Heart #167: Halloween in March

23 Wednesday Mar 2022

Posted by thedrunkenodyssey in Comic Books, Comics Are Trying to Break Your Heart

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Comics Are Trying to Break Your Heart #167 by Drew Barth

Halloween in March

Did you know it’s only seven more months until Halloween? Good horror comics have come out already, like every month is Halloween. Pentagram of Horror! by Marco Fontanili brings in a classic horror feeling. With only the first issue out, we can already see the seeds of its terror.

“My Own Hell” is the first of five stories Fontanili has crafted for Pentagram of Horror and centers on an unnamed protagonist who bargains his soul to the Devil for the talent to create great art for ten years. At the end of the ten years, his soul is then forfeit. But for those ten years, the unnamed man does nothing. Burdened with the idea of the oncoming deadline, he is frozen in his own artistic hell as his work wasn’t being bought and had received no recognition. The Devil then comes to collect. But in a Twilight Zone-esque twist, we discover that this has happened before. This man has been living out the day the Devil had come to collect his soul over and over for years and was made to forget at the end of each day all so the Devil could watch the man’s horror again and again.

Pentagram of Horror is a mature series that abounds in the blood of its characters, but is also a subtle series. Due to Fontanili’s coloring choice, the blood and the gore look muted. We see our main character torn to shreds across multiple pages with hooks and chains, but it isn’t so visceral as to just be gore-porn. There is a subtlety to this gore instead achieved through a combination of the muted color palette, zoomed in panels that present the worst of the violence in an abstract, and heavy shading where we can only really see shapes. It’s an incredibly clever way to present the audience with something horrifying, but keeping them just far enough away that they can’t get a full glimpse of it. The horror comes both from the story and the unknown torture in the same vein as the titular Alien barely being seen in its own film.

Pentagram of Horror is a callback to the pre-code pulps and horror series that relied on shocking their audiences with depictions of the most ghastly gore possible. But Fontanili is able to more beyond simple facsimile and into a new horror vein with this anthology. It’s the gore without the gratuitousness; it’s the spooks without cheap titillation. This is horror that’s able to take its own nostalgia and apply it to modern comic storytelling and sensibilities. That’s really what a good horror series should be doing now.

Get excited. Get spooked.


Drew Barth at Miami Book Fair in 2019.

Drew Barth (Episode 331, 485, & 510) resides in Winter Park, FL. He received his MFA from the University of Central Florida. Right now, he’s worrying about his cat.

Episode 515: Sara Manning Peskin!

19 Saturday Mar 2022

Posted by thedrunkenodyssey in Education, Episode, science

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Episode 515 of The Drunken Odyssey, your favorite podcast about creative writing and literature, is available on Apple podcasts, stitcher, spotify, or click here to stream (right click to download, if that’s your thing).

In this week’s show, I talk to Sara Manning Peskin about the history of the mysteries and discoveries of medical science.

Photo by Gene Smirnov.

TEXT DISCUSSED

NOTES

ScribophileTDO listeners can get 20% of a premium subscription to Scribophile. After using the above link to register for a basic account, go here while still logged in to upgrade the account with the discount.

The Kerouac Project of Orlando is open for applications for its residency program until April 17th.


Episode 515 of The Drunken Odyssey, your favorite podcast about creative writing and literature, is available on Apple podcasts, stitcher, spotify, or click here to stream (right click to download, if that’s your thing).

Comics Are Trying to Break Your Heart #166: The Long Violent

16 Wednesday Mar 2022

Posted by thedrunkenodyssey in Comic Books, Science Fiction

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Comics Are Trying to Break Your Heart #166 by Drew Barth

The Long Violent

How much do we really inherit from our parents? Right before the plague hit, I took a look at the first issue of Tartarus and how the dual narrative of parent and child influenced how the story presented itself and its grand sci-fi landscapes. As the series has come to a close, we can dive a little further into what Johnnie Christmas, Jack T. Cole, Andrew Krahnke, Hilary Jenkins, and Jim Campbell have done with this new world and just how the blood of a warlord can shape entire star systems.

Tartarus, at its core, is the story of a mother and her daughter—Surka and Tilde, respectively. We begin with Surka’s death and, seventeen years later, the discovery that Tilde, a young cadet in the Baxan empire miltary academy, is her daughter. Tilde is immediately flagged as a threat to the empire and given the option to kill herself as punishment for being Surka’s daughter. Happenstance occurs and Tilde ends up on the cut-throat mining planet of Tartarus to try to find her way to her childhood home, but not before becoming entangled with her estranged brother, helping him launch a war against a local criminal organization, and attempting to stop said war from spilling into political assassinations. The latter, of course, fails. But not before lights appear in the sky and a ship hovers above Tartarus with the mother Tilde, and the rest of the world, long thought was dead.

While we don’t know how the world will react to Surka’s return, the series is taking a hiatus after issue ten, we do see the deep fear of everyone associated with her. From the first issue, Surka is the boogeyman of Tartarus. Even in prison, it’s expected that she’ll escape to cause more havoc. Even her blood being out in the world is enough to cause the head of the Baxan military academy to confront Tilde directly. But then Tilde is great at the kind of violence that defines Tartarus. She fits right in with her brother as the pair tear across the planet. But she has reservations—her own dreams providing visions of what she could become should she fully succumb to that desire for violence. As much as she tries, though, Tilde is still caught in the wake of the bloodshed around her. She wants to escape, but the world will not let her.

Is the war around Tilde simply circumstance, or is it something invited in because of her mother? And is that something that can ever be changed for the better? Christmas, Cole, Krahnke, Jenkins, and Campbell grapple with these questions throughout Tartarus and the answer is never really clear. We see Surka appearing to change—looking to find a way to bring one of her loved ones back—but she is still Surka, the warlord that broke Tartarus. But then this is the family saga we’re audience to—one with as much bloodshed as any other. Change for the both of them likely won’t be easy.

Get excited. Get violent.


Drew Barth at Miami Book Fair in 2019.

Drew Barth (Episode 331, 485, & 510) resides in Winter Park, FL. He received his MFA from the University of Central Florida. Right now, he’s worrying about his cat.

Episode 514: Laura Costas!

12 Saturday Mar 2022

Posted by thedrunkenodyssey in Episode, Flash Fiction, Poetry

≈ 1 Comment

Episode 514 of The Drunken Odyssey, your favorite podcast about creative writing and literature is available on Apple podcasts, stitcher, spotify, or click here to stream (right click to download, if that’s your thing).

In this week’s show, I talk to Laura Costas about the pleasures of disorientation, the surprises of actual history, the complexity of myth, and postmodernism.

TEXT DISCUSSED
NOTES

ScribophileTDO listeners can get 20% of a premium subscription to Scribophile. After using the above link to register for a basic account, go here while still logged in to upgrade the account with the discount.

The Kerouac Project of Orlando is open for applications for its residency program.


Episode 514 of The Drunken Odyssey, your favorite podcast about creative writing and literature is available on Apple podcasts, stitcher, spotify, or click here to stream (right click to download, if that’s your thing).

The Curator of Schlock #373: The Secret of Nimh

11 Friday Mar 2022

Posted by thedrunkenodyssey in animation, Disney, Film, The Curator of Schlock

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The Curator of Schlock #373 by Jeff Shuster

The Secret of NIMH

I like cartoons. Stop giving me grief. 

We heard the screeching, a sound of hellish death coming from beyond. The factory security guard brandished a taser and I wondered why we hadn’t run away with the rest of the factory personnel that had nearly trampled us. A factory employee, bloodied and limping, staggered toward us. He was missing an eye and his right hand covered the crimson stump that was now his left. The poor man collapsed, crying out, “They’re loose! The devils are loose!” — To be continued.


This week’s movie is 1982’s The Secret of NIMH from director Don Bluth. I’d completely forgotten about this movie. The DVD release seemed lacking so I never snagged it. Yet I remember watching The Secret of NIMH over and over again on Showtime when I was kid. I was an animation snob then, cutting my teeth on classic Disney shorts like Silly Symphonies.

I have to give Don Bluth and his team of animators credit. After defecting from the Disney company, they went all out to create a feature on par with those created in the glory days of the Walt Disney Animation Studios. The movie centers around Mrs. Brisby, a widowed mouse and mother of four children, one of whom has pneumonia.

The sick child’s name is Timothy. She’s been advised to keep him on bed rest for four weeks or he may die. The only problem is the farmer’s plow is coming early this year. If Mrs. Brisby doesn’t move her family, they all will die.

This simple conflict sets up an amazing journey for our main character that brings her to seek counsel with the Great Owl, a terrifying giant with glowing eyes. He tells her to seek out the Rats of NIMH, hyper intelligent creatures who may know of a way to move her house without her son having to leave his bed. We learn that rats had been experimented on in a lab, injected with a drug that raised their intelligence to that of a human. And we learn that some mice had also been given this drug, including Mrs Brisby’s late husband, Jonathan.

The Secret of Nimh features an all star voice cast that includes Elizabeth Hartman, Derek Jacobi, Dom Deluise, Arthur Malet, Hermione, Baddeley, Shannon Doherty, Will Wheaton, and John Carradine. The movie’s score was composed by the great Jerry Goldsmith, who also scored Poltergeist that year. The Secret of NIMH had stiff competition that summer as it had gone up against such movies as Blade Runner, E.T.: The Extra Terrestrial, Conan the Barbarian, TRON, and John Carpenter’s The Thing.

What stood out for me when watching The Secret of NIMH so many years later is how it makes a simple farm into a c world fillemplex with danger and mystery. A family cat becomes a fearsome monster, a farmer’s plow becomes a force of nature, and a rose bush becomes a city of marvels. I hope this movie gets a proper remaster some day as it stands as the pinnacle of animated feature films from the 1980s.

 

Comics Are Trying to Break Your Heart #165: The Longest Step

09 Wednesday Mar 2022

Posted by thedrunkenodyssey in Comic Books, Comics Are Trying to Break Your Heart

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Comics Are Trying to Break Your Heart #165 by Drew Barth

The Longest Step

In comics, silence is a tool. The lingering moments between characters, the uncluttered panels, the ability to let the art simply be—all of these help the comic to establish a sense of peace or dramatic tension. But silence in comics can be difficult to wield. As a medium that relies on the interplay between words and images, meaning can be easily lost when those words are absent. But when done properly—when the image conveys the story perfectly—it can create a comic that swells with story in its quiet spaces, like in Step by Bloody Step by Si Suprrier, Matías Bergara, and Matheus Lopes.

All we have from the first page is an unnamed girl, an unnamed suit of armor, and the snow-swept landscape they’re wandering through. The armor cradles the girl and is heading in a direction. Toward what, we don’t know. All we know is that they are on their way somewhere and nothing will stop the armor from delivering the girl. Across landscapes that border on the outright magical to desert wastelands to fields of flowers, the pair keep traveling without saying a single word to one another as neither of them know how to speak. Or, at least, to each other. It is in this silence between the two that we see, through the weeks and months, their relationship develop. Almost sisterly, the girl plays as the armor protects all the while a pair of men seek them out.

But the thing that stands out most in this story is the effective use of mise en scéne by Bergara throughout. These establishing shots and expansive vistas envisioned every few pages gives us both a sense of scale and mood. We have these moments of the girl playing in the foreground while the armor fights off something horrifying in the background that demonstrate their place in this world. But it is in these vast, quiet pages that we really see the scale of them both. The girl is tiny enough to fit in the hands of the armor, but they’re both still dwarfed by the sheet scale of the world they’re traveling through. We never really know where they’re traveling to, but we know immediately how long it will be until they get there: a long goddamn time. But then we’re happy for that, as it means we get to experience more of Bergara’s art.

Not since Bad Island have I felt a silence as resonant as Step by Bloody Step. Spurrier, Bergara, and Lopes have created something that warrants the hours required to absorb every detail in these pages.  Step by Bloody Step is already one of the best comics of the year and I only wish I could experience it with fresh eyes again.

Get excited. Get stepping.


Drew Barth at Miami Book Fair in 2019.

Drew Barth (Episode 331, 485, & 510) resides in Winter Park, FL. He received his MFA from the University of Central Florida. Right now, he’s worrying about his cat.

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