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The Drunken Odyssey

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The Drunken Odyssey

Search results for: leslie salas

Episode 482: A Discussion of Introducing Cultural Studies, with Leslie Salas!

24 Saturday Jul 2021

Posted by thedrunkenodyssey in Episode

≈ 1 Comment

Episode 482 of The Drunken Odyssey, your favorite podcast about creative writing and literature is available on Apple podcasts, stitcher, spotify, or click here to stream (right click to download, if that’s your thing).

In this week’s show, Leslie Salas and I discuss Ziauddan Sardar and Borin Van Loon’s Introducing Cultural Studies.

TEXT DISCUSSED

NOTES

Scribophile

  • TDO Listeners can get 20% of a premium subscription to Scribophile. After using the above link to register for a basic account, go here while still logged in to upgrade the account with the discount.
  • Check out my literary adventure novel, Guy Psycho and the Ziggurat of Shame.

    Episode 482 of The Drunken Odyssey, your favorite podcast about creative writing and literature is available on Apple podcasts, stitcher, spotify, or click here to stream (right click to download, if that’s your thing).

Episode 471: A Discussion of Kurt Vonnegut’s Pity the Reader with Leslie Salas!

08 Saturday May 2021

Posted by thedrunkenodyssey in Craft of Fiction Writing, Episode

≈ 1 Comment

Tags

Kurt Vonnegut, leslie salas, Pity the Reader, Suzanne McConnell

Episode 471 of The Drunken Odyssey, your favorite podcast about creative writing and literature is available on Apple podcasts, stitcher, spotify, or click here to stream (right click to download, if that’s your thing).

In this week’s show, Leslie Salas and I discuss Kurt Vonnegut’ and Suzanne McConnell’s compendious Pity the Reader: On Writing with Style.

TEXT DISCUSSED

NOTES

Scribophile

  • TDO Listeners can get 20% of a premium subscription to Scribophile. After using the above link to register for a basic account, go here while still logged in to upgrade the account with the discount.
  • Check out my literary adventure novel, Guy Psycho and the Ziggurat of Shame.

    Episode 471 of The Drunken Odyssey, your favorite podcast about creative writing and literature is available on Apple podcasts, stitcher, spotify, or click here to stream (right click to download, if that’s your thing).

Episode 464: A Discussion of Allie Brosh’s Solutions and Other Problems (with Leslie Salas)!

20 Saturday Mar 2021

Posted by thedrunkenodyssey in Episode, Graphic Novels

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Episode 464 of The Drunken Odyssey, your favorite podcast about creative writing and literature is available on Apple podcasts, stitcher, spotify, or click here to stream (right click to download, if that’s your thing).

In this week’s show, Leslie Salas and I discuss Allie Brosh’s Hyperbole and a Half and Solutions and Other Problems.

TEXTS DISCUSSED


NOTES

Scribophile

  • TDO Listeners can get 20% of a premium subscription to Scribophile. After using the above link to register for a basic account, go here while still logged in to upgrade the account with the discount.
  • Check out my literary adventure novel, Guy Psycho and the Ziggurat of Shame.

    Episode 464 of The Drunken Odyssey, your favorite podcast about creative writing and literature is available on Apple podcasts, stitcher, spotify, or click here to stream (right click to download, if that’s your thing).

Episode 458: A Discussion of Lynda Barry’s Syllabus (with Leslie Salas)!

06 Saturday Feb 2021

Posted by thedrunkenodyssey in Comic Books, Episode, Graphic Novels, Gutter Space

≈ Leave a comment

Episode 458 of The Drunken Odyssey, your favorite podcast about creative writing and literature is available on Apple podcasts, stitcher, spotify, or click here to stream (right click to download, if that’s your thing).

In this week’s show, Leslie Salas and I discuss Lynda Barry’s composition book-inspired musings on art, Syllabus, and how not just craft, but creativity itself is a skill.

TEXT DISCUSSED

NOTES

Scribophile

TDO Listeners can get 20% of a premium subscription to Scribophile. After using the above link to register for a basic account, go here while still logged in to upgrade the account with the discount.

Episode 279: Leslie Salas!

23 Saturday Sep 2017

Posted by thedrunkenodyssey in Craft of Fiction Writing, Creative Nonfiction, Editing, Episode, Flash Fiction

≈ 1 Comment

Tags

Bethany Duvall, Burrow Press, David James Poissant, Denver Publishing Institute, leslie salas, Libretto of the Damned, Madison Strake Bernath, Other Orlandos, Ryan Rivas

Episode 279 of The Drunken Odyssey, your favorite podcast about creative writing and literature is available on iTunes, or right click here to download.

On this week’s show, I talk editing and publishing and writing and the post-MFA malaise with Leslie Salas.

Leslie Salas

TEXTS DISCUSSED

Other Orlandos

15 Views of Orlando

15 views 2

 

NOTES

Leslie Salas currently blogs for The Gloria Sirens, and is an editor at Sweet.


Episode 279 of The Drunken Odyssey, your favorite podcast about creative writing and literature is available on iTunes, or right click here to download.

The Curator of Schlock #387: The House on the Edge of the Park

24 Friday Jun 2022

Posted by thedrunkenodyssey in Blog Post

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The Curator of Schlock #387 by Jeff Shuster

The House on the Edge of the Park

You don’t like these kinds of movies.

I was being accosted by three goons in a dark alley. One of the goons had a turtle crossing sign strapped to his chest. He brandished an aluminum bat and I was expecting every bone on my body to get cracked. As soon as he raised his bat, a shuriken struck him in his wrist. He screamed and the lanky goon with a nervous twitch pulled out a 9MM and started shooting in the direction the ninja star came from. — To be continued.


This week’s movie is 1980’s The House on the Edge of the Park from director Ruggero Deodato. This flick is notorious. The House on the Edge of the Park made it on the Video Nasties list in the United Kingdom upon its release in the early 1980s. The fully uncut version didn’t get released over there until April of this year! We get the return of David Hess playing yet another psychopath. Giovanni Lombardo Radice also stars. Do you remember him? Of course you do. He played the town pervert in City of the Living Dead and the singing cannibal in Cannibal Apocalypse.

The opening of the movie introduces us to Alex (David Hess) and before the opening credits hit, we learn that he’s a rapist and murderer. Yikes!

Alex works at a garage in New York City with his dimwitted friend Ricky (Giovanni Lombardo Radice). This garage may also be a chop-shop. Alex and Ricky are getting ready for a night on the town. Ricky is very excited about getting the chance to boogie. Before they leave, a rich couple named Tom (Christian Borromeo) and Lisa (Annie Belle) pull in with a fancy Cadillac and ask for assistance.

Turns out that their car trouble comes from a loose wire that Ricky is quick to fix. Tom and Lisa are in a hurry. They’re leaving for a get-together with their other rich friends in New Jersey.  As payment, Alex wants an invite to that sweet shindig. He also insists that Ricky tag along. Before the four of them leave, Alex says he has to go back for his keys, By keys, he means straight razor. Yes, violence is coming.

Tom and Lisa bring the two working class mechanics to the party much to the amusement of their rich friends. Ricky humiliates himself by showing off his dancing moves. The blue bloods invite him to play a game of poker. Meanwhile, Lisa plays a game of “Now you get me. Now you don’t.” with Alex, leaving him frustrated. Alex returns to the other guests only to see them fleecing his simple-minded friend for all he’s worth. Realizing the poker game is rigged, Alex unleashes a torrent of violence on his wealthy host and guests. Alex busts up Tom’s face pretty bad. He knocks another guy into the swimming pool. Alex then proceeds to urinate on him while laughing maniacally. And it only gets worse from here.

Did you know David Hess was a songwriter? Apparently, he wrote several hits for Elvis Presley, Sal Mineo, Andy Williams, and Pat Boone. I just find it interesting that a man who already had a successful career had a side gig of playing sociopaths in exploitation flicks.


Photo by Leslie Salas.

Jeff Shuster (episode 47, episode 102, episode 124, episode 131, episode 284, episode 441, episode 442, episode 443, episode 444, episode 450, episode 477, episode 491, episode 492, episode 493, episode 495, and episode 496) is an MFA graduate from the University of Central Florida.

The Curator of Schlock #386: Hitch-Hike

17 Friday Jun 2022

Posted by thedrunkenodyssey in Film, The Curator of Schlock

≈ Leave a comment

The Curator of Schlock #386 by Jeff Shuster

Hitch-Hike

Also known as Death Drive. 

The trunk popped open and three goons adorned with bandanas and torn jeans yanked me to my feet. We were in a dark alley somewhere in the dead of night. A cat meowed after knocking over a garbage can, beer bottles clinking to the asphalt. This spooked one of the goons, a lanky guy that kept twitching.

“Let’s finish him off,” he said, turning his head from right to left. “I feel like we’re being watched.”

“Relax,” said another goon grasping an aluminum bat with both hands. “Boss said we could play with him first.” — To be continued.


This week’s movie is 1978’s Hitch-Hike from director Pasquale Festa and is another in the line of Italian exploitation pictures inspired by The Last House on the Left. While this one does not follow that standard formula, it does star David Hess, the actor who played the sadistic Krug Stillo in The Last House on the Left. It also stars Franco Nero of Django and Street Law fame. And we get Corinne Cléry, who starred in Mooonraker and The Story of O. I haven’t seen The Story of O, but with a title like that I think I will have to.

Hitch-hike begins with a husband and wife on the great American road trip in southern California, camper in tow. Walter Mancini (Franco Nero) is an Italian journalist married to Eve  (Corinne Cléry), an American woman from a rich family. Walter likes to drink…a lot. Walter and his wife fight…a lot. Walter falls after tripping over a tent at a campground and busts up his right hand so he can’t drive. While on the road, Eve sees a hitchhiker and picks him up despite Walter’s protests. That hitchhiker is Adam Konitz (David Hess), an escaped psychopath from a hospital for the criminally insane.

Walter attempts to be on his best behavior, but Adam keeps taunting the couple. When Adam rambles about a sexual act he’d like Eve to do for him, Walter punches him in the mouth and  has Eve pull over. He forces Adam out of the car, but then Adam pulls a gun on them. Turns out Adam stole two million dollars and is on the run from the law. He needs the couple to drive him to Mexico where he can live the high life. Two members of the California Highway Patrol pull them over before they can reach the border. Walter secretly alerts the police officers to their predicament, but Adam gets wise and wastes the cops in short order.

Adam finds out Walter is a journalist and wants him to write a book about him. These plans are thrown awry when Adam’s former partners in crime, shoot him and take the Mancinis hostage. They just want the two million dollars and transportation to the Mexican border, but then a truck rams into the Mancini’s camper. Can you guess who’s driving that truck? Yes, it’s Adam and he’s not so dead after all. He has a shootout with his former heist partners, severely wounding one of them. He offers to drive them to a hospital in his truck, but then jumps out of the truck before sending it careening off the road so it can crash and explode. More twists and turns come and I have to say that I’m glad I watched this. It’s a good thriller with the right kind of shocking ending.


Photo by Leslie Salas.

Jeff Shuster (episode 47, episode 102, episode 124, episode 131, episode 284, episode 441, episode 442, episode 443, episode 444, episode 450, episode 477, episode 491, episode 492, episode 493, episode 495, and episode 496) is an MFA graduate from the University of Central Florida.

The Curator of Schlock #385: The Last House on the Beach

10 Friday Jun 2022

Posted by thedrunkenodyssey in Horror, The Curator of Schlock

≈ Leave a comment

The Curator of Schlock #385 by Jeff Shuster

The Last House on the Beach

Not as much fun as Back to the Beach. 

I don’t like getting knocked unconscious and waking up in strange places. I don’t like waking up to find someone’s oily sock stuffed in my mouth. I don’t like waking to the sound of GWAR’s Sick of You blasting through the tinny car stereo. I don’t like feeling every bump from every pothole the driver can’t seem to miss. And I don’t like the bloodstained carpet of the trunk I’m hogtied in. — To be continued.


This week’s movie is 1978’s The Last House on the Beach from director Francos Prosperi. As you can tell from the title, this is another movie inspired by Wes Craven’s The Last House on the Left. This is another in the line of sadistic revenge movies so prevalent in the 1970s. The movie begins with a nasty bank robbery. Three young malcontents named Aldo (Ray Lovelock), Walter (Flavio Andreini), and Nino (Stefano Cedrati) make a getaway after shooting some civilians. Unfortunately, their car begins to break down and the cops are hot on their trail. What to do? Oh, look, There’s a house at the end of the beach.

The gang takes a peek inside and sees some girls practicing Shakespeare along with their instructor, Cristina (Florinda Bolkan). The gang takes the women hostage, threatening them with guns. Walter searches the house and finds the maid trying to escape. He beats her to death with an iron. Nino corners one of the young women, Lisa (Sherry Buchanan), in the bathroom, but she stabs him in the thigh. It’s a fairly severe wound, but not fatal. Aldo finds a nun’s outfit in one of the closets upstairs and figures out that Cristina is actually Sister Cristina.

The gang forces Sister Cristina to strip and don her nun’s outfit. Sister Cristina informs them that a bus will be picking them up in two days so that gives them enough time to fix the car, drink some wine, and torment their hostages. I won’t go into too many details, but this is an Italian exploitation movie so it’s going to be nasty. And then Sister Cristina receives a telegram from the postman informing them that the bus will be a day late. Sister Cristina tips the postman and I can only imagine she slipped him a note telling him to inform the police. Lisa finds his dead body stuffed in the lawn shed some time later.

Lisa can’t take it anymore and attempts to swim away to get help, but fails and is brought back by Aldo who leaves her fate in the hands of Walter and Nino. Sister Cristina is in the middle of treating Nino’s would when she finds Lisa’s dead body, murdered in a humiliating way. Sister Cristina removes the crucifix from around her neck before grabbing some poison to inject Nino with. After killing Nino, she takes his gun and plugs some lead into Walter. This leaves Aldo and his fate is the worst of all.

This movie may not be for everyone. By everyone, I mean anyone.


Photo by Leslie Salas.

Jeff Shuster (episode 47, episode 102, episode 124, episode 131, episode 284, episode 441, episode 442, episode 443, episode 444, episode 450, episode 477, episode 491, episode 492, episode 493, episode 495, and episode 496) is an MFA graduate from the University of Central Florida.

The Curator of Schlock #384: Night Train Murders

03 Friday Jun 2022

Posted by thedrunkenodyssey in Horror, The Curator of Schlock

≈ 1 Comment

The Curator of Schlock #384 by Jeff Shuster

Night Train Murders

Yes, revenge is a good thing. 

I was getting manhandled by a gang of hooligans in the husk of a building that was once The Museum of Schlock. Their leader was a punk with a mohawk who claimed to be the new curator of this establishment. One of the hooligans asked this usurper what was to be done with me.

“Rub him out,” the curator said. Something blunt hit the back of my head and all went dark. — To be continued.


This week’s movie is 1975’s Night Train Murders from director Aido Lado. The movie went by other titles such as Last Stop on the Night Train, Don’t Ride on Late Night Trains, and The New House on the Left. That last title is significant as it is similar to a well-known American horror exploitation movie from director Wes Craven called The Last House on the Left, a movie so notorious that an audience member once demanded that the projectionist shut off the movie. This movie made its way overseas where it must have made a huge impression on several Italian producers.

The Night Train Murders begins with two malcontents named Blackie (Flavio Bucci) and Curly (Gianfranco De Grassi) running amok in Munich, slashing a woman’s fur coat and mugging a man dressed as Santa Clause in full view of everyone. Meanwhile, two teenage girls named Margaret (Irene Miracle) and Lisa (Laura D’Angelo) are busy trying to catch a train from Germany to Italy to stay with family over the Christmas holidays.

The train is very crowded with some passengers having to stand during the journey with some passengers complaining that they paid for a seat and can’t sit down. Maybe that’s because there are some extra passengers, stowaways named Blackie and Curley.

The two malcontents bum cigarettes off the girls and get their help in evading the ticket man as he checks each passengers tickets and passports, A mysterious blonde woman (Macha Méril) has an encounter with Blackie in the train’s bathroom and they do things in that bathroom that I can’t discuss on a family blog. Oh, and Curley is a drug addict, shooting up heroin and getting into fights with the train attendants. The train is held over in Austria as the authorities investigate a bomb threat. Margaret and Lisa leave the train for another one that will take them directly to Italy. They get a train compartment all to themselves, but their peace and quiet is eventually interrupted by the sound of Curley’s harmonica.

The blonde woman and two malcontents force their way into the compartment and bad things happen to the two girls resulting in Lisa’s death. Margaret tries to escape from the train, but dies on impact when she hits the ground outside. Blackie, Curly, and the blonde get rid of Lisa’s body and any other evidence the girls were on the train. If you think that’s the end of the movie, you’d be wrong.

Let’s just say there’s going to be a run in with Lisa’s parents and some sweet revenge is coming. I was watching an interview on the Blu-ray where one of the screenwriters remarked that he drove members of the audience for this picture to drink. I’ve got three more of these movies to get through this month. Hopefully, Jim Beam won’t be my best friend by the end of it.


Photo by Leslie Salas

Jeff Shuster (episode 47, episode 102, episode 124, episode 131, episode 284, episode 441, episode 442, episode 443, episode 444, episode 450, episode 477, episode 491, episode 492, episode 493, episode 495, and episode 496) is an MFA graduate from the University of Central Florida.

The Curator of Schlock #383: CQ

27 Friday May 2022

Posted by thedrunkenodyssey in Film, The Curator of Schlock

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Tags

CQ, Roman Coppola

The Curator of Schlock #383 by Jeff Shuster

CQ

Roman Coppola’s love letter to cinema.

“Unhand me,” I said as two hooligans grabbed my arms and forced me to my knees. “I’m the curator of this museum.”

The punk with the mohawk leaped down off the severed concrete head of Charles Bronson, the centerpiece of the once grand Museum of Schlock. He swayed over to me like this was his domain as his goons murmured under their breath. He raised a dirty index finger to his lips, sushing me. The punk then smiled with a silver grill and said, “I’m the curator.”


This week’s movie is 2001’s CQ from director Roman Coppola. This is one of those movies within a movie within a movie movies. We start with a young, aspiring filmmaker named Paul Ballard (Jeremy Davies) living in Paris in 1969. He’s making a documentary about his daily life. The movie is shot in black and white and resembles David Holzman’s Diary, a staple for anyone who took a history of documentary film class in college. Paul lives with his French girlfriend, Marlene (Elodie Bouchez), and his constant obsession over his daily life documentary annoys her to no end.

Paul also has a day job editing a futuristic spy movie named Codename: Dragonfly, a kind of Barbarella-meets-Modesty Blaise vehicle. The movie stars the stunningly beautiful Valentine (Angela Lindvall) as Dragonfly. Gérard Depardieu plays Andrezej, the director of Code Name: Dragonfly who spotted Valentine at a political rally and became obsessed with making the movie about revolution. Andrezej talks about subverting audience expectations and how this movie’s ending is really a beginning.

Andrezej’s creative excesses infuriate producer Enzo (Giancarlo Giannini), a caricature of Dino De Laurentiis. Enzo screams that Andrezej has made an action picture with no action and no ending. He fires Andrezej on the spot. This is not well received as Andrezej calls Enzo a fascist and tries to break the door down to get back into the screening room. Enzo shuts down the production down and fires the staff only to restart the picture and rehire some of the staff including Paul as editor.

Enzo’s new replacement director is Felix DeMarco (Jason Schwartzman), an American director of gothic horror movies, currently directing a vampire picture which I think is titled Blood from Satan’s Tomb. He’s all on board with the project and Enzo wants him to fix the ending. Felix employs Paul to make a trailer for Code Name: Dragonfly and Valentine stops by the studio for an ADR session. Paul becomes infatuated with Valentine after meeting her in person for the first time.

Paul’s continued work on his documentary along with his new responsibilities on Code Name: Dragonfly puts a strain on his relationship with Marlene. This pressure increases after Felix bows out of the project and Enzo selects Paul as the new director. Paul needs to come up with that new ending and I think he’s torn between a crowd pleaser or something more faithful to Andrezej’s original vision. CQ is a love letter to the European escapist cinema of the late 1960s. It’s a shame Roman Coppola hasn’t directed more feature films. This one is a gem.


Photo by Leslie Salas.

Jeff Shuster (episode 47, episode 102, episode 124, episode 131, episode 284, episode 441, episode 442, episode 443, episode 444, episode 450, episode 477, episode 491, episode 492, episode 493, episode 495, and episode 496) is an MFA graduate from the University of Central Florida.

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