Sublime eclectic mayhem. That’s been my playlist project and musical life, one that begins with The Muppet Movie soundtrack and later involves performing hymns, death metal, surf, and bluegrass. I’ve played in theaters, tents, and basements, for multi-stage festivals and squirrel rodeos. I’ve written and recorded music for The Drunken Odyssey. Sublime eclectic mayhem. A warning and a welcome for joyous noise, for those navigating what Beckett called “this bitch of an earth.”
Saturdays, Too
On our walk, the dog eats
another cicada shell
and it makes me think
of Saturday mornings,
Honey Comb cereal,
the Honey Smack crackle,
chemical sweetness
burning brighter than the TV.
It seems like the shows will
never stop until they do,
and then I sit in a backyard tree,
read Spy vs. Spy, ride a bike until
someone I like comes outside.
It all lasts seconds, the spoon lifted,
the sound between the Comb
and the crunch.
The Comb and the Crunch
Listen on Tidal. Listen on Spotify.
- “Crysalis” – Jenevieve
- “Perfect Kidz (Body Meat Remix)” – Deerhoof
- “A Demon & Its Spinal Cord Flapping In The Wind” – Fire-Toolz
- “Flatline” – Lorraine James, Miho Hatori
- “Nasty Girl” – Roy Carrier
- “Altars of Evocation” – Nocturnal Departure
- “I Just Can’t Get Over Losing You” – The Lemon Twigs
- “Open Arms (ft. DEELA)” – Little Simz
- “I-20” – Big K.R.I.T.
- “Train on the Island” – Aldous Harding
- “Blood Lily” – Olaf Dreijer
- “TripleAkuma I” – Merzbow
- “Fainting Spells” – Cola
- “Tsar” – Eridikated
- “So What” – Muna
- “Wee” – Charles Mingus

Stephen McClurg (Episode 473 & 666) composes and improvises in Serenity Dagger, The Abdomen, and other projects. Along with session work for mid-Alabama singer/songwriters, he frequently collaborates with musicians across the state adding bass, guitar, and synths to friends’ recordings. He currently writes reviews for Horror DNA and is the substitute low end wrangler for Mobile-based punk rock band Future Hate. You can find out more about his work here.


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