Micheál MacLiammóir
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The Rogue’s Guide to Shakespeare on Film #59: Othello (1951)
59. Orson Welles’s Othello (1951) Orson Welles’s Othello opens with some weird music by Alberto Barbers and/or Angelo Francesco Lavagnino that splits the difference between a Modernist march and Gregorian chant during the funeral march of the Moor and Desdemona, with Iago brought along, caged in captivity, like some dolorous triumph. The tragic destinies are Continue reading
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The Drunken Odyssey is a forum to discuss all aspects of the writing process, in a variety of genres, in order to foster a greater community among writers.
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