Episode 719: A Conversation about Tobe Hooper’s Lifeforce (1985) with Shawn McKee!

Episode 719 of The Drunken Odyssey, your favorite podcast about creative writing and literature, is available on Apple podcasts, Spotify, or click here to stream (right click to download, if that’s your thing).


In this week’s episode, John King and Shawn McKee dig down into the mysteries of taste and the effect a lot of nudity can have on a space vampire zombie epic.

NOTES

Check out our YouTube video of this convo.

Or check out John and Samantha Mickey Mousing Around.

To learn more about the Kerouac Project’s necessary renovations and call for donations, go here.

Learn more about The Kerouac Project of Orlando.


Episode 719 of The Drunken Odyssey, your favorite podcast about creative writing and literature, is available on Apple podcasts, Spotify, or click here to stream (right click to download, if that’s your thing).



2 responses to “Episode 719: A Conversation about Tobe Hooper’s Lifeforce (1985) with Shawn McKee!”

  1. It may be that because I wasn’t a teenager in the 80’s I didn’t see this movie then, but I did see The Return of the Living Dead (1985) and I was appalled. Mainly because it treated George Romero with such contempt. And I don’t remember any nudity in it, but that may be because of Australian censorship.

    I suppose we can thank it for the “Brains!” hunger zombies have, too.

    Anyway, is Lifeforce (1985) so all over the place because it was written at a time before screenplays themselves had to have some literary merit? Thus, you could write on and get it filmed fairly easily. (Of course I”m thinking of Robot Monster (1953) – I always do – but comparisons to the literary merit of Conan the Barbarian (1982) are right on point.)

    Damn good miscellaneous episode! It has moved me to buy the Blu-Ray, so the estate of Tobe Hooper may get a penny or two after Cannon’s debts are paid off.

    1. I think the scattershot screenplay with ever-shifting genres and structures (or lack thereof) is a result of the Canon production model. When non-native English speakers go Hollywood, sometimes the producers aim for a vibe without a disciplined script. As Robot Monster rushed into production to try to land in the 3-D boom, the Hollywood razzle dazzle of effects and talent were whooshed together to make a bombastic film that from a distance felt like classic, big-budget movies, but things are offffff.

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