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The Drunken Odyssey

~ A Podcast About the Writing Life

The Drunken Odyssey

Category Archives: Sozzled Scribbler

The Diaries of a Sozzled Scribbler #22

05 Saturday Dec 2020

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The Diaries of a Sozzled Scribbler #22

Transcribed by DMETRI KAKMI

5 December 2020

I’m writing from Saint School. It’s located in the bush outside the township of Maldon, Victoria. The latter is a state in Australia, for those who don’t know geography, which is just about everyone in the USA, n’est-ce pas?

Calm down. No one is interested in your outrage. I’ve bigger fish to fry.

You see, I’m in trouble. Our Farter who art in heaving insisted I attend school for saints or He’d kick me out of the holy assemblage. (Yes, God is a He, not a She; that’s just a neo-feminist conspiracy to turn men into domestic servants, like Mexicans in your country).

Apparently I’ve been bad and not at all modest or pious. I must learn to be like a normal person, He said. Come down to your level so that I may know what it’s like for mortals.

I tell you what, though, if ‘normal’ constitutes what I see in the streets of the towns hereabouts, we are in trouble. Bunch of apes, shuffling around as if someone sucked out their brains with a straw. Imagine a world covered by these imbeciles.

But what would God know, sitting up there on cloud nine, stroking his beard, listening to naked cherubs play harp music. Isn’t there a law against that? Hmm, might report him to the authorities. That’ll teach him for being high all mighty.

Wait a sec, I’ll send an anonymous tip-off.

Okay, I’m back. Where was I?

Oh, yes, Saint School. It’s sort of like Hogwarts for sadomasochists.

I’ve just arrived and so far so good. Got a nice cell with all the mod-cons, and Onan, son of Judah, is here to give us a massage with a happy ending.

The thing that surprises me is this. All the wanna-be saints are… How can I put it delicately? Shall we say of a very low standard. I mean the Vatican is really scraping the bottom of the barrel with this lot.

Madonna is here (the has-been singer, not Jesus’s mum or mom, as you Americanos say), and Angelina Jolie, and Princess Diana.

I’m glad you noticed. I’m the only man. When I complained to John the Baptist about the sexism he said not to worry. Jeffrey Epstein is on the way and he’s studying to become the protector saint of nubile young girls. So Jeff is obviously chucking in a few amends with his amens.

I should add that I knew John the Baptist when he still went under his original Jewish name, Yohanan. The Greeks changed it to Iωάννης. And Muslims went one better and changed it to Yahyah. Who calls a prophet Yahyah? It means ‘grandmother’ in Greek. No wonder poor John lost his head to that spoiled Valley girl Salome. But the thing I want to tell you about John is that he is actually a bit of stud muffin, if you like ‘em rough and hairy, but by Christ he smells like a fucking camel.

Anyway, these are the classes we have to take to become a proper saint:

  1. Modesty 101
  2. Exemplary life
  3. Miracle worker
  4. How to die a horrifically violent death and…
  5. Learning to walk around as if nothing happened even though your head is on a platter and there’s enough arrows stuck in your chest to make you look like a pin cushion.

Easy peasy.

Oops, Madonna’s fainted and Angelina has an urgent cat fight photo shoot with Jennifer Aniston for New Idea magazine. Bye, girls.

As for Diana, well, she can’t wait to get started. She loves being a martyr. This time, she said, she wants her head lobbed off and tossed to the adoring crowds. The girl is addicted to fame and martyrdom, I tell you, like those plastic surgery freaks.

My personal tutor at the school for saints is none other than the delightful Saint Lucy, or Lucia of Syracuse, who was martyred in the year 304. She’s a fun gal. I love hanging out with her. Carries her eyes around on a platter, which is a bit weird, but she doesn’t let that get in the way of a good time.

The first night Lucy raps on my cell door, as usual carrying her eyes in a gold plate.

‘Wanna go to to the pub and pick up men?’ she whispers.

You have to give it to Luce. Her eyes were poked out by a Roman back in the day, but she doesn’t hold that against the rough sex. Not the way some women do. Give ‘em the eye and they freak out. Not only that but they go on and on about how all men are rapists. Not Lucy. She still likes cock.

‘Sure,’ I said. ‘But I’m a bit scared. God is probably watching and I don’t want to get into trouble. I’m in the bad books as it is.’

‘Not to worry,’ she says, her eyes ogling the clouds from the gold plate. ‘He’s not watching. We’ll be back before he knows it.’

No sooner do we step out of the front gate when a booming voice says, ‘And where do you think you’re going?’

Lucy and I get such a fright, we both scream and jump up in the air. Her eyes roll out of the plate, fall on the ground, and I accidentally step on them.

Squish go the delicate orbs under my Christian Louboutins.

‘Looks what you did,’ Lucy wails.

‘Oops, sorry.’

She bursts into tears, water gushing in a most disconcerting manner out the holes in her face.

And God pronounceth: ‘Because you have listened to this wench and have skulked out of the holiest of holies which I commanded you not to, cursed is the ground because of you. In pain ye shall live the rest of your days, looking after this blind sinner, thorns and thistles it shall bring forth for you, and you shall eat the plants of the fields…’

‘Get on with it, will you. I haven’t got all night,’ I say, checking my Cartier watch.

‘By the sweat of your face you shall eat bread…’

‘But I’m celiac,’ Lucy cries.

‘…till you return to the ground, for you are dust and to dust ye shall return.’

‘And I’m allergic to dust mites,’ I add.

‘Oh, piss off both of you,’ God shouts. ‘Before I smite thee. And don’t let me see you here again.’

So here I am, dear reader, kicked out of saint school and back to being a mere mortal, though of a higher standard than you.

‘Want to go up to the Rock of Ages and score some Molly?’ says Luce. ‘That’ll cheer us up.’

‘Who am I to say no to that?’ I reply.

À bientôt, mes amies.


The Sozzled Scribbler was born in the shadow of the Erechtheion in Athens, Greece, to an Egyptian street walker and a Greek bear wrestler. He is currently stateless and lives on gin and cigarettes.

Dmetri Kakmi is the author of Mother Land (shortlisted for the New South Wales Premier’s Literary Awards in Australia), and the editor of When We Were Young. His latest book is The Door and Other Uncanny Tales. He does not endorse the Sozzled Scribbler’s views.

The Diaries of a Sozzled Scribbler #21

16 Monday Nov 2020

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The Diaries of Saint Sozzled Scribbler #21

Transcribed by DMETRI KAKMI

16 November 2020

In an exclusive interview with CNN’s silver-haired cutie-pie Anderson Cooper, Saint Sozzled Scribbler talks in a sonorous voice through a burning bush about Donald Trump.

AC: As a saint of the Catholic Church, how do you feel about the Trump defeat in the recent elections?

SSS: I’m disappointed, oh my child.

AC: Why?

SSS: I’d hate to see Melanoma homeless and sleeping under a bridge with her brood of starving children.

AC: I hardly think they’ll be homeless. Donald Trump is a millionaire.

SSS: That’s where you’re mistaken, dear boy.

AC: I am?

SSS: It’s a front. The Trumps are prostitute—I mean destitute—poorer than the poorest money lender in the Temple. Oh, when I think of that sweet dear boy Barlow Trump—

AC: You mean Barron Trump, of course.

SSS: Baron who?

AC: Barron Trump.

SSS: Yes, but what’s he baron of, my boy? What’s he baron of? You must be a baron of something, like my dear friend the Baron of Zouche, or the Baron de Strabolgi and let’s not forget Le Baron Etrange. Your dear Mama knew him you know.

AC: Really?

SSS: No, not really. I just mentioned her to open fresh wounds. Did she jump out of a window like your brother?

AC: You go too far.

SSS: Toughen up, fag face. You’ll never survive the apocalypse.

AC: There’s going to be an apocalypse?

SSS: Yes, as a saint of the Holy Catholic Church I have the power to start the end of world.

AC: Oh my God.

SSS: He won’t help you. You’re gay. And we all know what God thinks of buggers. Now where was I? Oh, yes, dear, sweet Balderick Trump. If he’s not a real baron I’m afraid his mama and papa will have to sell him to a boy bar in Budapest to barter his bum in a backroom. You don’t want him, by any chance?

AC: No.

SSS: He could clean your penthouse naked.

AC: I have a child. I don’t want another.

SSS: How did you manage that if you’re into peccatum Sodomiticum?

AC: Surrogacy.

SSS: Rich gay man uses poor woman as incubator. Interesting…

AC: What’s that supposed to mean?

SSS: Nothing. Just saying…

AC: Yeah, well, don’t.

SSS: Oh, when I think of my poor dear Ivanka Trump, penniless, lacking in the essentials of maquillage. She will look a fright. She’s a real intellectual, you know, especially when she’s had a few tequilas. She has a wonderful saying about tequilas.

AC: I’m sure you will tell me what it is.

SSS: I like to have a tequila, two at the very most. After three I’m under the table, after four I’m under my host.

AC: Dorothy Parker said that about martinis.

SSS: I didn’t say Ivanka is original. I just said she’s smart. I suppose she’ll have to go back to selling her kidneys to the Russians.

AC: Ivanka sold her kidneys to Russia?

SSS: Sure, thankfully she has an inexhaustible supply.

AC: How come Ivanka Trump has an inexhaustible supply of kidneys?

SSS: Harvests them from Republican voters when they pass out from too much banality after her father’s rallies, don’t you know. Nothing quite like skimming the cream from the milk pail, aye?

AC: Are you pulling my leg?

SSS: I swear to you on the Virgin Mary’s beard, it’s all true. She’s trans, you know.

AC: Ivanka is trans?

SSS: No, you idiot. Mary is trans.

AC: Mary, Jesus’ mother, is trans?

SSS: One of the first. Had the full operation in old Judean stable. But things didn’t quite work out internally, so to speak. That’s why it was an immaculate conception. Angels intervened because Joseph couldn’t do anything about it. Est voila, la Sainte Vierge.

AC: Surely you jest.

SSS: Not at all. Now that I’m a saint of the highest order I have access to the Apocrypha, the secret or secrets, of the Holy Family. They make the Carringtons in Dynasty look like The Brady Bunch.

AC: We’re getting off the topic.

SSS: Suit yourself, pretty boy.

AC: How can Donald Trump to be broke? He’s worth 2.5 billion. He owns property around the world.

SSS: He doesn’t. It’s mine.

AC: You own the Trump Tower and Mar-a-Lago, and—?

SSS: Yes, but I had to pretend to get rid of them when I was beatified. Vows of poverty and all that…

AC: But you didn’t really sell.

SSS: Of course not. I’m not dumb.

AC: What arrangements did you make with Trump?

SSS: The Trumps stay in my luxury homes as a tax dodge. They don’t own a thing. Except for the silverware Melanoma stole from the White House, of course. I suppose she’ll have to go back to pole dancing in a Slovenian sausage shop. Oh, my poor gorgeous Melanoma. (Sobs volubly.) How will she cope? I will send thoughts and prayers, and we all know how much they help.

AC: Why can’t they go back to living in your homes?

SSS: I kicked them out.

AC: Why?

SSS: Because they disgraced themselves before the entire world. No one will have a bar of them. Not even that lovely sane Rudy Giuliani. They are a laughing stock, worse than the monster in Tobe Hooper’s Funhouse.

AC: What’s next for the Trumps?

SSS: I see a triumphant Trump return in a reality TV show about an ex-president who runs a crematorium, an ex first lady finding redemption in a nursery, and their capricious children who dally in a dildo shop. It has smash hit written all over it.

À bientôt, mes amies.


The Sozzled Scribblerwas born in the shadow of the Erechtheion in Athens, Greece, to an Egyptian street walker and a Greek bear wrestler. He is currently stateless and lives on gin and cigarettes.

Dmetri Kakmiis the author of Mother Land (shortlisted for the New South Wales Premier’s Literary Awards in Australia), and the editor of When We Were Young. His latest book is The Door and Other Uncanny Tales. He does not endorse the Sozzled Scribbler’s views.

The Diaries of a Sozzled Scribbler #20

02 Monday Nov 2020

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The Diaries of a Sozzled Scribbler #20

Transcribed by DMETRI KAKMI

2 November 2020

Dear sad pathetic creature who has nothing better to do than to read this column, I have good news. It has finally happened.

I have been recognised as a saint. The only questions is why it has taken so long. Given everything I haven’t done for humanity you’d think it would have happened sooner.

Following is the report in The Truth newspaper, if you don’t believe me:

In many ways, the Sozzled Scribbler was a typical member of the international jet-set. He loved spending money he didn’t have, hanging out with the rich and famous and generally being obnoxious. He favoured Japanese designer clothes, had a long-standing love affair with Tetsuo and enjoyed a drunken threesome with George and Laura Bush in the White House shrubbery.

But SS is 199 years old and still going strong with his curmudgeonly ways. What  is more, he is on the way to becoming one in a long line of unscrupulous men to be recognised as a saint by the Vatican.

SS, who is of no fixed abode, has been beatified, or declared ‘blessed’ by the Pope, after speaking out in support of disgraced Australian cardinal George Pell.

‘Georgy boy didn’t touch those boys,’ says SS. ‘And even if he did, so what? A good fingering in the sacristy doesn’t harm anyone. Look at me. I’m perfectly normal, aren’t I?, and Georgy boy had a fist up there once. We were playing glove puppets for the amusement of cardinal Giovanni Angelo Becciu, what?’ 

The grand ceremony, in Rome, Italy, was the second-to-last step before SS can be canonised as a saint. Since his daring pronouncement SS has become known in some Catholic circles as a patron saint of assholeism and for his enthusiastic embrace of saying and doing whatever you like and getting away with it, which Catholic church says precisely reflects its holy doctrine.

When he was sixteen in 1837 SS set fire to the Winter Palace in Saint Petersburg. The conflagration so excited him, he got an erection, stopped eating and took up smoking and drinking. He credits this radical change of diet for a long life.

‘I recommend all young people smoke, drink and hang out in parks at night,’ says SS. ‘It’s good for one’s prostitution—I mean constitution, what?’

Just before her death, SS’s mother, a Greek bear wrestler, said, ‘SS is the kolokythokeftedesin my eyes. He was an influencer— for what I don’t. Go ask his father, but he’s probably turning tricks in Omonia Square, the old whore.’ 

Mysterious sources petitioned the Vatican to make SS a saint. The diocese then dug into SS’s emails and computer search history, and found things too shocking to report. Then they waited for a miracle to happen.

One by one, people from all over the world came forward to claim that, when things were going right in their lives, SS appeared and ruined everything.

‘It’s a miracle,’ they said. ‘Things go from bad to worse when he’s around. I mean look at COVID-19, The Australian Fires, Fukushima, Amy Schumer’s face, Bill Clinton inserting a cigar in the intern’s oval orifice. The list is endless.’

This was enough for Pope Francis to declare SS a saint who makes the world a more alarming place.

‘Because SS is the saint of Arseholeism,’ Pope Francis said, ‘the Vatican is bottling his bowl movements and selling it to poor people at exorbitant prices and telling them it has healing properties.’

Now that he has been beatified, SS promises to become even more unbearable than before. He is leaving his newly acquired post as emperor of The Drunken Odyssey and going into the world to do bad.

‘John King can have his shitty job back,’ SS said in a media release. ‘I didn’t like it there anyway. Couldn’t find anyone more interesting than me to interview. Fuck the literati. They’re self-absorbed.’

There you go, mes petits escargots. It’s in The Truthso it must be true. I am holier-than-thou. You can pray to me all you like and I will ignore you.

À bientôt, mes amies.Je te maudis.


The Sozzled Scribbler was born in the shadow of the Erechtheion in Athens, Greece, to an Egyptian street walker (his father) and a Greek bear wrestler (his mother). He has lived in Istanbul, Rome, London, New Orleans and is currently stateless. He partakes of four bottles of Bombay gin and nine packets of Gauloises cigarettes a day.

Dmetri Kakmi is a writer and editor. His first book, Mother Land, was shortlisted for the New South Wales Premier’s Literary Awards in Australia. His newest book is The Door and Other Uncanny Tales.

The Diaries of a Sozzled Scribbler #19

16 Friday Oct 2020

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The Diaries of a Sozzled Scribbler #19

Transcribed by DMETRI KAKMI

16 October 2020

In the 199th year of this my mortal life, I find me in Altamonte Springs, Florida, waiting for Little Lord Pantsleroy—otherwise known as Mr John King—so that I may capture him and torment him to my heart’s content.

For he hath offended me most high when he interviewed my pasty faced amanuensis Deutoronomy Katalapsycon, or whatever its name is, for a modern convenience called the invasion of the podcast people, and banished me from the room.

‘That man is a menace,’ Little Lord Pantsleroy declared. ‘He is banished.’

Banished, moi! Banished!

And so here I sit in that valley that pierces my heart with dread, and I look aloft and see his shoulders broad approach, awaiting him that is mine enemy so that I may entrap him and inflict punishments upon his conceited corse that he will not forget.

So overcome with fury am I that I risk being seen by stepping forth upon the perilous wide waste, strike a Napoleonic pose, and quote my good friend, God.

‘For vengeance is mine and I will repay. His day of disaster is near and his doom rushes upon him.’

My prize is almost upon me, sauntering at the bottom of the prominence upon which I stand, whistling a happy tune, carefree as Mariella Frostrup sans brassier.

‘Fly high, mine silvered snare,’ quoth I, as I cast a net into the air, ‘and bring my quarry like a fish from fathomless depths unto me.’

‘What, ho?’ cries the Shakespearean dolt as the latticework settles around him.

I step forward so that his eyes can look upon my bedazzled form for the first time.

‘What are you?’ says he. ‘That looks not like the inhabitants of the earth and yet walks upon it. Speak if you can. What are you?’

For although he publishes my world-wide hit column, he has never seen me before.

‘Hail, Little Lord Pantsleroy.’

My prey freezes.

‘Hail to thee, Thane of the Drunken Odyssey,’ I wheedle.

He trembles. Fear is in his eyes.

‘Surely it can’t be you,’ he gasps.

‘Tis I,’ I say, advancing. ‘And none other.’

‘Say why upon this blasted heath you stop my way with such horrendous greetings.’

On and on he goes, like a cold bum, quoting Shakespeare as if he’s John Gielgud. A quick application of ether knocks him out. Now to my secret laboratory and to execute my dastardly plan. But boy is he heavy. And badly dressed. First, I strip him of the rags he wears and burn them. Then I hire a crane to lift him.

Hours later, the victim returns to consciousness, strapped to an operating table in my eyrie.

I gloat in my white laboratory coat, made exclusively pour moi by none other than Issey Miyake.

‘It’s alive,’ I scream maniacally, raising my arms to the heavens. ‘It’s alive.’

Little Lord Pantsleroy is so frightened he almost poops his pants.

‘Where am I?’ he says. ‘What do you want?

‘For there is nothing covered,’ I quote, ‘that shall not be revealed; neither hid, that shall not be known.’

Little Lord Pantsleroy struggles in his bonds, but it’s useless. He is in my power.

‘Why I am covered in bandages?’ he says, looking down the length of his body. ‘What have you done to me?’

‘Tell me, my little friend.’ I stand over to him. ‘What is your favorite place in the world?’

‘Disneyland.’

‘And who is your favourite Disney character?’

‘Donald Duck. But Joe Carioca from The Three Caballeros is a close tie.’

‘And how would you like to be these characters?’

I let my pronouncement sink in.

‘What do you mean?’ he squawks.

‘This!’

I rip the bandages from his body with a grand flourish, and move a suspended mirror above the operating table so that he can see his body.

At first there is stunned silence. Then the eyes grow wide with shock and disbelief. And then the mouth (or rather the beak) opens and a prolonged quack of dismay is emitted.

‘What have you done?’

‘I have turned you into a half-duck, half-parrot.’

‘Why?’

‘Oh,’ I say, pretending to be perplexed. ‘I thought you wanted to be Donald Duck and Joe Carioca.’

The dismal quack is followed by a cacophonous squawk.

‘No!’

‘Yes.’

‘Why?’

‘Because you did not to put me in your invasion of the podcast people thingy.’

And then the mad creature begins to laugh.

‘Why laughest thou, oh Caliban?’

‘Because,’ he says, half sitting up and staring at me with maddened eyes, ‘now I can work in my favourite place in the world, Disneyland.’

But I have one more nasty card up my sleeve.

‘That’s what you think, my little canard.’

‘What do you mean?’

‘You are sold.’

‘To whom?’

‘To Fraulein Elsa Mars.’

‘Who is she?’

‘She, my beaky little perroquet, is the manager of the Cabinet of Curiosities, a freak show, in Jupiter, Florida. Why here she is now.’

A divine creation right out of the Weimer Republic saunters in, half Marlene Dietrich, half Consuela Cosmetic.

The half-duck, half-parrot parody gapes at the miraculous apparition.

‘What are you staring at?’ Elsa Mars snaps, with that fake German accent of hers. ‘Do you value your job around here?’

Le canard et perroquet anomalie nods, knowing he is her slave forever.

‘Then get out there and make people laugh. Schel!’

Elsa Mars cracks her whip and l’homme canard et perroquet is carried away by assorted aberrations never to be seen again.

And now, dear reader, I am in charge of the Drunken Odyssey.

À bientôt, mes amies.


The Sozzled Scribbler was born in the shadow of the Erechtheion in Athens, Greece, to an Egyptian street walker (his father) and a Greek bear wrestler (his mother). He has lived in Istanbul, Rome, London, New Orleans and is currently stateless. He partakes of four bottles of Bombay gin and nine packets of Gauloises cigarettes a day.

Dmetri Kakmi is a writer and editor. His first book, Mother Land, was shortlisted for the New South Wales Premier’s Literary Awards in Australia, and his new book, The Door, will be released in September 2020.

The Diaries of a Sozzled Scribbler #18

01 Thursday Oct 2020

Posted by thedrunkenodyssey in Sozzled Scribbler

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The Diaries of a Sozzled Scribbler #18

Transcribed by DMETRI KAKMI

1 October 2020

My amanuensis Derwent Klopovicki has a new book and he insists I interview him. Said he’d leave my employ if I didn’t, and to be honest it’s hard to find a good dog’s body nowadays. So here goes nothing.

SS: So Dolphin, I can’t wait to hear about your new book. Tell us about it. (Yawns extravagantly.)

DK: My name’s Dmetri actually.

SS: Dmetri Actually. That’s a funny name. Are you going to tell us about your new book or am I going off to masturbate?

DK: I’m surprised you can get it up at your age.

SS: Flattery will get you nowhere. Tell us about The Boor.

DK: It’s called The Door and Other Uncanny Tales, and it’s collection of two gothic novellas and four short stories. It’s published by the US based NineStar Press and it’s available online and in bricks and mortar bookstores.

SS: Is that all?

DK: What do you mean is that all?

SS: How long has it been since your first book came out—was it called Motherfucker?

DK: Mother Land was released in 2008. It’s a memoir—

SS: Over a decade ago and you only produced six measly stories in that time. You must be one of those lazy Greeks who lie on Mediterranean beaches, diddling goats when you should be working.

DK: When wit fails resort to national stereotypes and cliches.

SS: Why not? Greeks are a bunch of sybarites. No wonder the country is going down the gurgler. Had their day 2000 years ago, done fuck all since. They should have became Turks. At least the Turks know the meaning of hard work. And wiping out ethnic and religious minorities. But that’s another story.

DK: Please, what do you know about work?

SS: Excuse me, I did a bit of work … once. In 1921. It was exhausting. Still recovering.

DK: Can we get back to the topic at hand?

SS: Everything isn’t about you, Dolores.

DK: In this instance, it is. Ask a question about The Door.

SS: Now let me see… (Scratches head.)

DK: Did you read it?

SS: I wasted no time in reading your fascinating little tome.

DK: That means no. And the name is Dmetri. Not Dolores.

SS: That’s what I said, Dracula. So why do you write spooky stories?

DK: I prefer the term gothic. I don’t set out to scare people when I write.

SS: No, they just have to look at your face for that. (Laughs.)

DK: With these psychological ghost stories, I’m interested in destabilizing the reader and making them question the nature of perception and reality. Is fantasy another kind of reality?

SS: It is for drag queens.

DK: For me the stories in this book are dark fairy tales for adults. They take us into subterranean aspects of human nature.

SS: Talking about fairies, you’re one of those homosexualists, aren’t you?

DK: That’s a quaint term. Nowadays we say ‘queer’ or ‘gay’.

SS: Are you a gay writer? Is this a gay book?

DK: No and no. That’s what I’m trying to say, if you’d listen for a moment, instead of interrupting.

SS: Yes, yes, hurry up. It’s almost martini o’clock and I’m getting bored.

DK: What is a gay writer? What constitutes a gay book? Last time I looked books didn’t have genitalia or sexual proclivities.

SS: But you do.

DK: I am a writer and this is a book. That’s all that needs to be said about it. The only criteria should be quality. We don’t classify books by heterosexual authors as ‘straight books’ and ‘straight literature’. Why do it to homosexuals, or people from different ethnic backgrounds? I find terminology like this reductive. Why categorize and box an artist? We should be widening the scope, not narrowing it.

SS: If I wanted a lecture I would have asked for one. Geez, sensitive or what?

DK: As some booksellers have noted, only two stories in my book have openly gay male characters. The rest have heterosexual female protagonists or children of both sexes.

SS: Me thinks you protest too much, Diego.

DK: I just don’t want to be limited, as a person and as a writer. I’m in favor of plurality, pulling in diverse experience, rather than excluding.

SS: You’d be a complete failure with the cultural appropriation crew.

DK: Don’t get me started on that. The protagonist in Haunting Matilda is a little girl and her rescuer is an Australian Indigenous woman. The Long Lonely Road is set on the Turkish island where I was born and the protagonist is a Muslim boy—

SS: Does he blow himself up on a crowded bus?

DK: I wish you’d blow up. The Long Lonely Roadis based on an urban myth I grew up hearing when I was a child in Turkey. In reinterpreting it, I draw on two different sources from my own background: Greek myth and Middle Eastern religion and fable. The main novella, The Door, and its prequel, In The Dark, uses Aeschylus’s Oresteia as a leaping-off point but it’d set in urban Melbourne.

SS: Is he your uncle?

DK: Who?

SS: Aeschylus.

DK: No, you idiot, he was an ancient Greek tragedian. The point is that these are not typical genre pieces. I bring a different perspective to the conversation. One I hope readers will appreciate.

SS: What does the future look like for Demarera Kleptomania?

DK: I finished a gothic fantasy novel set in central Australia. That’s with a publisher at the moment.

SS: Reject!

DK: I’m writing a crime novel now…

SS: Reject!

DK: …and of course you and I will start work on your memoirs soon.

SS: Bestseller!

À bientôt, mes amies.


The Sozzled Scribbler was born in the shadow of the Erechtheion in Athens, Greece, to an Egyptian street walker (his father) and a Greek bear wrestler (his mother). He has lived in Istanbul, Rome, London, New Orleans and is currently stateless. He partakes of four bottles of Bombay gin and nine packets of Gauloises cigarettes a day.

Dmetri Kakmi is a writer and editor. His first book, Mother Land, was shortlisted for the New South Wales Premier’s Literary Awards in Australia, and his new book, The Door, will be released in September 2020.

The Diaries of a Sozzled Scribbler #17

15 Tuesday Sep 2020

Posted by thedrunkenodyssey in Sozzled Scribbler

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The Diaries of a Sozzled Scribbler #17

Transcribed by DMETRI KAKMI

15 September 2020

Hello, logophiles! It’s me, Mr Sozzled, your intrepid reporter from the borders of insanity, ringing in from a cave in the Khyber Pass.

You guessed it. I was run out of Australia—yet again—by imbeciles after my last daring column, which apparently encouraged the killing of ‘Woke’ people. When all I was going was putting out the garbage.

My amanuensis, Demented something-or-other, is with me. Can’t pronounce his surname even when I’m drunk, which is most of the time.

He’s here to help me compile my dictionary. It’s called The Dictionary of a Gadfly. Do you like the title? It’s a reference to Socrates’s gadfly ethnics.

Don’t know what I’m talking about? Look it up, you ignoramus.

According to Plato, Socrates pointed out that dissent, like the gadfly, is easy to swat, but the cost to society of silencing individuals who are irritating could be high. ‘If you kill a man like me,’ Socrates said, ‘you will injure yourselves more than you will injure me’, because his role was that of a gadfly, ‘to sting people and whip them into a fury, in the service of truth.’

Given that Socrates is in Hades (but you never know with Greeks; they live long) I will be your modern-day gadfly. Don’t whip out the Mortein yet. Hear me out first and make up your own mind.

—Okay, Damascus, are you ready with your Olivetti typewriter?

—It’s Dmetri. Not Demented, not Damascus. Dmetri!

—Yeah, yeah, whatever. One dago name is the same as another.

—Prig. And can I please have an Air Mac or something more modern?

—There’s nothing wrong with a typewriter. Your fingers need the exercise. Besides, there’s no electricity in this cave. I think Barack Obama slept here.

—You mean Osama Bin Laden.

—I know what I mean. Now type. The first word in my world-famous dictionary is:

ABUSE —Nowadays everyone has been ‘abused’, even if it was a half-hearted pinch on the arse, or a wolf whistle, thirty-five years ago. Apparently, they were so traumatised they never got over it. This feeds into the cult of victimhood and second-wave feminism’s belief that women are frail things in need of protection.

—You can’t say that.

—Why not?

—Because people will be offended.

—Who gives a rat’s? Last time I looked I still lived in a democracy.

—Pakistan ain’t no democracy.

—Yeah, yeah. Second word:

AMERICA—A basket case filled with serial killers, televangelists, rapists, racists, pornographers, drug lords, waiters who want to be actors, and reality TV stars who want to rule the world. On the brink of collapse. Even so it insists on being called the land of the free, without a hint of irony.

—I feel sick.

—What is it now? Did the chapati you had for breakfast disagree with your delicate stomach?

—If people read this, we will be trapped in Pakistan forever.

—I can think of worst places.

—Oh, yeah, where?

—Wellington. Third word:

BEAUTY—A male construct invented to oppress women. Where that leaves beautiful men, I don’t know.

—That’s better. No one can be offended by that.

—That’s what you think. Fourth word:

BLACKFACE—Further proof that white people want to be black.

—Oh, god! I want the day off. I really don’t feel well.

—Be quiet. You’re lucky you have a job. Fifth word:

CANCEL CULTURE—Practiced by shrieking harpies online who have taken a page out of Stalin and Mao’s respective books.

—Yep, migraine coming on.

—Next:

COCK—An instrument of oppression. Women fear it, straight men brandish it, and gays worship it.

—I like that one.

—You would, you poof.

—So are you.

—No, I’m not. I’m a pessimist. Next:

DONALD TRUMP—Absurdism and Dadaism in the White House.

—Hey, these are getting better.

—Told you. Next:

FEMALE SEXUALITY—Look but don’t touch. Better yet don’t even look.

—You jumped the E’s.

—Shut up. Next:

GAYS—Unnatural, despite the fact that heterosexuals continue to produce them. Must be accepted, unless you’re in the United Arab Emirates, in which case you toss them off a minaret to see if they float. If they hit the ground, they are not gay. If they float, they are gay because all gays are light on their feet.

—Oh god, my headache is coming back.

—Next:

GENDER NON-CONFORMING— A boring heterosexual who wants a slice of the queer pie so that he/she/they can appear unique and interesting.

—Keep ‘em innocuous, just like that.

—Next:

JAPAN—A retiring country that makes the world feel guilty about Hiroshima and Nagasaki, while never talking about the Nanjing massacres, prisoner of war camps, the Unit 731 experiments, cannibalism, and other atrocities in Asia Pacific during WWII.

—You can’t say that!

—Why not?

—Because they will set Sadako on us.

—Coward. Next:

MIA FARROW—A nut job who adopts children and screws them up, using techniques she learned in Rosemary’s Baby.

—Even I can’t argue with that one.

—Coming right up:

MUSLIMS—Fly airplanes that don’t land and love dressing up as Daleks.

—Do I need to remind you we are guests of the Taliban?

—They’ve got a sense of humour. Next:

WHITE PRIVILEGE—No such thing. A racist fabrication…

—That’s it. You’ve gone too far this time. I resign. I’m going to offer myself as a concubine to the first warlord I encounter. They can use my Khyber Pass all they like. But I am not going to facilitate your insane rants any more. Goodbye.

—Come back, you wretch. You can’t survive without me. Besides, no one wants to pluck your old cherry—even out here, where they’re all desperate. Come back, I tell you.

 À bientôt, mes amies.


The Sozzled Scribbler was born in the shadow of the Erechtheion in Athens, Greece, to an Egyptian street walker (his father) and a Greek bear wrestler (his mother). He has lived in Istanbul, Rome, London, New Orleans and is currently stateless. He partakes of four bottles of Bombay gin and nine packets of Gauloises cigarettes a day.

Dmetri Kakmi is a writer and editor. His first book, Mother Land, was shortlisted for the New South Wales Premier’s Literary Awards in Australia, and his new book, The Door, will be released in September 2020.

The Diaries of a Sozzled Scribbler #16

03 Thursday Sep 2020

Posted by thedrunkenodyssey in Sozzled Scribbler

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The Diaries of a Sozzled Scribbler

As transcribed by DMETRI KAKMI

3 September 2020

You’re wondering why I’m at Taco Bill’s restaurant in South Melbourne, dressed as a young woman named Tilda.

I’ll paint a picture for you and then let the story tell itself.

I’m with the founding members of Kill All Whites (KAW). There’s four of them. Weirdly, they are all of the pale and pasty variety, between the ages of 20 and 35. Two bearded men face two women from opposite sides of the table. Judging from their expressions, the men are either stupid, mass murderers or just waiting to paw some female flesh, the latter of which they are clearly terrified of. As for the women they are filled with the kind of revolutionary fervour that can only be brought on by an expensive education, guilt and self-hatred.

Your fearless correspondent (and master of disguise) is the newly appointed secretary, jotting down minutes. Secret mission: disrupt, destroy and cause chaos.

Jane, the non-hierarchical leader, stands.

‘So like I hope you checked your privilege today.’

‘And left it at the door,’ everyone chimes.

‘Welcome,’ Jane goes on, ‘to our inaugural meeting to like destroy white hegemony and bring an end to entitlement and like whatever.’

Limp cheers follow.

One of the beards emits a ‘Down with old white men and all Karens.’

Jane tells him to put that on social media. He does and in seconds he has a million Likes.

Jane continues.

‘We’ve allocated like a safe space for anyone who is in any way confronted during this meeting. We’re here for you, if you need us, all right?’

Morose heads nod. Jane goes on, though with a somewhat tougher voice.

‘I also want to like remind the gender non-conforming men, there’s like no looking at the non-binary women without like permission. Because that’s like abuse and rape.’

The men cast guilty eyes at the table.

I put up my hand.

‘Yes,’ says Jane.

‘If this is an organization to bring down whites, shouldn’t black people be present?’

Peels of laugher around the table.

Davina, the other woman, speaks up.

‘You silly naive thing. We don’t invite them. They just get in the way.’

‘BAME, BIPOC and CALD don’t know what’s good for them,’ says Jane. ‘They need us to like show them the way.’

More nods, cheers, claps.

‘They are innocents who need our help.’

I put up my hand again.

‘What now?’ Jane snaps.

‘Why are we in a Mexican restaurant?’

‘Because I like enchiladas,’ she says, donning a sombrero. ‘Yeeha, yeeha, caramba, arriba!’

Everyone smiles and claps.

‘Any of you Mexican?’ I pursue.

Heads shake.

‘That’s cultural appropriation and offensive to Mexicans.’

Gasps of horror erupt around the table. Jane rips the sombrero from her head and throws it away, as if she found Speedy Gonzales crouched there. Everyone stampedes out of Taco Bill’s and stands shaking on the street.

‘Oh, my goddess,’ cries Jane. ‘I don’t know what we were thinking.’

‘We weren’t thinking,’ offers a doleful Davina. ‘That’s how superior, entitled people steal oppressed and marginalised people’s beautiful cultures.’

‘We obviously have internalised racism,’ ejaculates from a beard.

Jane tells him to not exercise his male privilege by speaking whenever he feels like it. Then she suggests we go to a Japanese restaurant.

‘Cultural appropriation,’ I offer. ‘And you’re supporting war-time atrocities in the Pacific.’

‘Vietnamese.’

‘That’s right,’ I grumble. ‘Drop napalm on them and steal their food.’

‘Greek.’

‘Are you Greek?’

‘No.’

‘Then you can’t eat Greek!’

Jane goes through fifty other national cuisines, all of which are struck off the list for the appalling crime of eating food that does not belong to one’s own national identity. Finally, she shouts, ‘All right then let’s just go to McDonald’s.’

‘You can’t do that!’

‘Don’t tell me,’ she says. ‘Junk food and it’s not environmentally sound.’

‘And,’ I say, waving a finger, ‘McDonald’s is American cultural imperialism at its worst.’

Everyone tut-tuts and we give Jane the evil eye.

‘You have internalised bias,’ one of the beards prematurely ejaculates.

Davina tells him that’s hate speech against women. He hides behind the other ejaculate.

In the end we sit on a cold park bench and plot the downfall of white civilization.

‘Truth is,’ Davina says, ‘it’s time white people died out.’

‘Hear, hear,’ emerges from the two spermatozoa.

‘It’s time they let the lovely BAME, BIPOC and CALD have a go,’ Davina goes on, hunching down in her nice warm jacket. ‘I’m sure they will do a much better job.’

‘Davina,’ I interrupt, ‘is that an Italian jacket?’

‘Yes, it’s Armani.’

‘CULTURAL APPROPRIATION,’ I scream, leaping to my feet and pointing at her like Donald Sutherland at the end of The Invasion of the Body Snatchers.

Davina screams, tears off the jacket and throws it away. The others also rise to their feet and stare at her as if they’re about to tear her apart. Jane rescues her friend.

‘After the revolution, I will be the non-hierarchical leader of the BAME, BIPOC, and CALD. Because they can’t like speak English and they don’t know what’s good for them.’

Davina forgotten, the congregation claps, more to warm their hands than anything else.

‘We have to destroy whites,’ says Jane. ‘But how?’

‘By example,’ offers the trusty secretary.

Enquiring faces turn to me.

‘We have to kill ourselves and put it on social media,’ I say. ‘Then and only then will nasty, pernicious pale faces see the error of their ways and kill themselves, like lemmings off a cliff.’

‘Tilda, you’re genius,’ crows Jane. ‘How are we going to do it?’

I outline the plan.

They agree it’s a masterstroke. I drive them to the top of the Westgate Bridge, park on the side, and we all get out. Dead of night. No one about, but a lacerating southerly.

‘You jump,’ I say. ‘I’ll film it on my phone, put it on social media, and follow you.’

They clamper up the safety fence.

‘Check your positionality,’ I call. ‘Ready, set, deconstruct!’

They leap into liminality. Unfortunately for them they land on a passing Russian cargo ship. Last I heard, they were harvested for body parts by nice underprivileged people in Vladivostok.

À bientôt, mes amies.


The Sozzled Scribbler was born in the shadow of the Erechtheion in Athens, Greece, to an Egyptian street walker (his father) and a Greek bear wrestler (his mother). He has lived in Istanbul, Rome, London, New Orleans and is currently stateless. He partakes of four bottles of Bombay gin and nine packets of Gauloises cigarettes a day.

Dmetri Kakmi is a writer and editor. His first book, Mother Land, was shortlisted for the New South Wales Premier’s Literary Awards in Australia, and his new book, The Door, will be released in September 2020.

The Diaries of a Sozzled Scribbler #15

17 Monday Aug 2020

Posted by thedrunkenodyssey in Sozzled Scribbler

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The Diaries of a Sozzled Scribbler #15

Transcribed by DMETRI KAKMI

17 August 2020

Here I am back in the US of A, where self-expression is everything and no one gives a shit about anyone else. Ah, to breathe freedom’s air after being forced to wear a face mask by the fascist Australian government. Who cares about spreading a deadly contagion every time you sneeze or cough or speak? Personal liberty and comfort is all that matters. Fuck humanity!

pedestrians-400811_1920

So, in an effort to further revel in my god-given rights to be an asshole, as you Americans say, I’ve come to Manhattan to hook up. I haven’t had a close encounter of the erectile kind in oh, must be at least 2.5 hours and I must get laid rapidement, as we say in Paris.

‘Big hairy animal looking for fun and intelligent conversation,’ says the ad in the respectable personals website Sit On My Face and Sing The Star-Spangled Banner. Of course I answer.

Minutes later, I’m in a yellow cab, feeling like Angie Dickinson in Distressed to Kill as I speed through the glittering night to experience untold ecstasies. The address is a penthouse in The Vampire State Building. Must be a VIP.

new-york-1912582

Lift to floor 101, buzz door, la porte s’ouvre, and who do you think is on the other side?

King Kong!

He’s in a white terrycloth bathrobe carelessly tied at the waist so the essentials peek coyly out.

‘You,’ he screams.

‘You,’ I scream back.

He goes to slam the door in my face but I’ve got my foot in there faster than you can say Prince Andrew.

‘Relax,’ I say, sauntering in. ‘It’s not as if I haven’t seen it before. Remember the orgy on Skull Island? You went through 150 sacrificial offerings in one night.’

‘Oh my god, I’m so embarrassed.’ A flustered Kong ties up his robe. ‘I didn’t know it was you.’

‘That’s the problem with anonymous pick-ups. Might as well have a drink while I’m here.’

We settle on the couch with a classic martini for me and an Old Fashioned for the king of the jungle. Before us is the most stunning view in Manhattan. Kong is still upset about being found out.

‘Oh, the ignominy,’ he bewails.

‘I don’t know why you’re carrying on. It’s not as if I’m going to tell anybody. Mmm, nice martini, by the way.’

‘Don’t give me that. You’re the most indiscreet person I’ve met. Come morning everyone will know what I get up to after dark. My career’s down the gurgler. Oh, la publicite!’ And he fell over in a fainting swoon.

‘Stop carrying on, you old woman.’

‘Stop calling me an old woman,’ he says, sitting up. ‘It’s sexist and agist.’

‘Listen, I won’t tell a soul about your disgusting, perverse sex practices. I promise. And close your legs. I can see your wherewith-alls.’

Kong quickly snaps shut his thunder thighs.

‘Anyway, why are you trawling the net for sex? I thought you and Godzilla were an item.’

‘We broke up.’

‘Why?’

‘Well,’ Kong says, relaxing, ‘we met on the set of King Kong VS Godzilla in 1962. It was love at first bite. But we started having problems almost immediately.’

‘I’m sorry to hear that. What was going on, if you don’t mind my asking.’

‘It’s personal. Can I trust you?’

‘I am discretion itself,’ I say, and the poor lunk believes it.

‘Everything was fine at first,’ Kong goes on, taking a big sip of his Old Fashioned. ‘She was a great lover and we both liked the same things. Like sitting on skyscrapers and stomping humans. Then the troubles began.’

‘What happened?’

‘We tried anal sex and she shot flames out of her ass during orgasm. Nearly burned me to death.’

‘You poor thing. Then what?’

‘Hollywood came knocking.’

‘And you got jealous.’

‘There was a bit of that, of course. I’m only human, right? But there was something else…’

‘What was it?’

 Kong takes another big sip before answering.

‘She comes to the dream factory, starts mixing with trendy California types, and decided she’s trans or non-binary or something, I don’t know… Long story short, she became male.’

‘That’s right. Godzilla is male in the American movies, female in the Japanese. I thought Hollywood imposed that on her because they have a hard time picturing a woman destroy a city. Only men can do that.’

‘No, it came from Godsy herself. You know what they say.’

‘Enlighten me.’

‘Godsy came from Tokyo, Japan. Hitch-hiked her way across the Pacific, let her eyebrows get bushy on the way, didn’t shave her legs and then she was a he. She says, “Hey babe, take a walk on the wild side”’.

‘Do-do-do, do-do, do-do-do,’ we both sing and burst out laughing.

Kong can be fun when he lets down his hair.

‘You poor thing,’ I say.

‘Yeah,’ Kong says. ‘I’m as broad minded as the next guy but I didn’t fancy two dicks in one bed, especially when one of the dicks shoots flames out of his ass and burn down the house. The cost of insurance was astronomical.’

‘Tell me,’ I say, trying to stop him from getting morbid. ‘You just finished shooting Godzilla vs Kong. That’s exciting.’

‘Yeah, but I get second billing. It’s Godzilla’s movie. I’ve had my century in the sun.’

‘At least you star opposite Alexander Skarsgard. He’s cute.’

‘Dumb as a bicycle saddle. But boy does he give good head.’

‘Really?’

‘He’s a bit of a slut, actually. Caught him rimming Godsy. Godsy got such a shock, he farted and burned Skarsgard to a crisp.’

‘Oh, my god. Sex with kaiju is risky.’

‘Speaking of which,’ Kong adds, ‘want to give me a hand job while you’re here?’

‘Hand job? I need fifty hands to handle that thing. Big as a sequoia tree. You don’t need a hand job. You need a cow milking machine.’

‘Let’s go find one.’

Kong picks me up, clambers out the window and off we go across rooftops to find a kinky sex club.

à bientôt, mes amies.


people-2570596_1920 SozzledThe Sozzled Scribbler was born in the shadow of the Erechtheion in Athens, Greece, to an Egyptian street walker (his father) and a Greek bear wrestler (his mother). He has lived in Istanbul, Rome, London, New Orleans and is currently stateless. He partakes of four bottles of Bombay gin and nine packets of Gauloises cigarettes a day.

Dmetri Kakmi is a writer and editor. His first book, Mother Land, was shortlisted for the New South Wales Premier’s Literary Awards in Australia, and his new book, The Door, will be released in September 2020.

The Diaries of a Sozzled Scribbler #14

01 Saturday Aug 2020

Posted by thedrunkenodyssey in Sozzled Scribbler

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The Diaries of a Sozzled Scribbler #14

Transcribed by DMETRI KAKMI

1 August 2020

Guess who I stumbled on while prowling in Melbourne’s Fitzroy Gardens? None other than Charles Baudelaire.

‘Charlie, my dear fellow,’ I cried. ‘I thought you were dead.’

‘I am,’ quoth he. ‘That’s why I’m here.’

‘Well said,’ was my jolly rejoinder. ‘Only those who’ve turned their backs on life reside in Melbourne.’

temple-632136

We laughed. Charles delivered a hearty slap to my back, and I almost plummeted into a hydrangea bush, from which four men emerged, pulling up their pants.

‘Regardez, Charlie,’ I said. ‘Ta fleurs du mal.’

‘They are anges de debauche in their natural habitat,’ pronounced my friend. ‘What are you doing here, old booze bus?’

‘I’m waiting for Olivia De Havilland,’ I admitted, ‘She died and I’m interviewing her about life on the Other Side.’

‘What fun. Mind if I keep you company?’

‘Not at all, dear chap. Let us take a seat and await the august lady.’

We sat on a bench and waited. It was a grey day. Hardly anyone was out. The chill winds that prowled the park’s avenues were an inhalation from Hades’ mouth. Charlie caused a bottle of white rum to materialise out of his pocket and we passed it between us—to keep warm, you understand.

Charlie spake thus.

‘Whom do you prefer, your mother, your father, your sister or your brother?’

He was in one of those moods. One could only play along.

‘I have no father, nor mother, nor sister, nor brother,’ said I, getting into the spirit. ‘A hatchling am I from Quetzalcoatl’s egg—the flying serpent from whom all nature’s rejects claim descent.’

‘Your friends?’

‘Frauds, felons, fiends and faggots all! I abhor the very word.’

‘Your country?’

‘I know not under which lassitude it resides—the land of the Lotus-eaters!’

‘Beauty?’

‘What is beauty but a crapulous inebriate looking for the moon in the gutter?’

‘So, what do you love, oh hammered stranger?’

‘I love Methylenedioxymethamphetamine…MDMA, ecstasy, molly, call it what you will…tis rapture, tis bliss… les merveilleux etoiles!’

We cackled and gazed fondly at each other. Perhaps I ought to state at this juncture that Charlie and I go back a long way. We were born round about the same time and even went to the same school. He in Paris, 1821, and I in Athens, the same year. We became fast friends at the Lycée Louis-le-Grand, he studying law, of all things, and me idleness. He rather carelessly took up permanent residence at the Cimetiere du Montparnasse not fifty years later, while I persist.

‘How do you do it?’ Charles said, turning upon me a tearstained face of angelic beatitude. Always gets maudlin after a few drinks.

‘How do I do what?’

‘Stay alive.’

‘Sold my soul to Beelzebub.’

‘Ah, you went ahead with that deal.’

‘Yes,’ I said. ‘A soul just gets in the way of a good time.’

‘True,’ muttered my friend, chugging rum. ‘If only I had been as wise.’

We were interrupted by feminine dulcet tones. It was Olivia De Havilland, the last screen gem. The elegant lady sauntered across the great lawn, looking like Spring’s seraph incarnate.

‘Yoo-hoo, there you are, you naughty boy!’

‘Livvy, darling,’ I said, rising and taking the preferred dainty digit. ‘You look fabulous for someone who is a corpse.’

Her radiant smile lit up the world. I placed a kerchief on the bench and Livvy lowered her cultivated posterior on it; I will be sure to sell it on eBay. (The kerchief, not her bum.) The seraph who organised the interview told me the dead enjoy ten to fifteen minutes among the living. I had to make it quick. After introducing Livvy to Charlie, I got down to business.

‘Livvy,’ I said. ‘Your adoring fans are waiting to find out what it’s like on the other side.’

Livvy crossed one stockinged leg over the other, pulled her Balenciaga mink snugly around her, and lifted the veil on a question that has baffled philosophers and necromancers over the centuries.

‘Why, it’s like a great big hotel.’

‘A hotel?’ Charlie and I cried, horrified.

‘Yes. A combination of The Ritz Paris and the Chelsea in New York. The higher up you go the more grand it becomes. The lower down, the more scungy, to use an Australian idiom.’

She must have observed our expressions of disappointment for she added: ‘It’s really very pleasant and very well maintained. Surely you’ve seen it, Charles?’

Charlie shook his head, more despondent than ever.

‘The crimson dawn has blotted out the spiritual skies pour moi, ma chere madame. I must wander with wide-open eyes in Elysian Fields, phantom-like, closed out from the immortal sun, a lucid, pure, being whose only mission is to record the le voyage des damnes.’

Livvy and I looked piteously at him.

‘No God?’ I said to her.

‘Not that I’ve seen. Though I do think my maid is a goddess.’

‘No heaven or hell?’

Livvy contemplated the piercing question.

‘You know,’ she said in good time, ‘I believe there might be a demarcation of some sort. I, for instance, must dwell in a kind of heaven because my dear friend Bette Davis has a suite on the same floor, and Errol Flynn is across the hall.’

‘Ah!’ I cried, pointing a revelatory finger to the skies.

‘And…’ Livvy went on, ‘my goody-two-shoes sister Joan Fontaine is seven floors below with James Stewart and Ethel Merman. That must surely constitute hell.’

Our laughed rose to the heavens because, quite suddenly, Livvy proclaimed it was time to go.

‘One more question,’ I said.

‘Make it quick.’

‘Is it true about Errol Flynn?’

‘Is what true, darling?’

‘That he has…you know… a big…’

Livvy’s face lit up like a thousand radiant suns.

‘I’m not one to tell tales out of school,’ she said, sotto voce, ‘but let me say that today’s women lack one thing.’

‘What’s that?’

‘An appreciation of a big hard cock.’

With that, Livvy shot to her feet. It was time to return to the great big Ritz Hotel in the sky. Coming along the avenue was a giant stork with a man’s shadow at his feet. It picked up Livvy with its beak and vanished in the clouds.

‘Come home,’ I said to Charlie. ‘I’ll make you an Old Fashioned.’

‘So long as you keep your hands to yourself,’ he mumbled, rising unsteadily to his feet.

‘As if I’d touch you, syphilitic old boot.’

Until next we meet. Cheerio!


people-2570596_1920 SozzledThe Sozzled Scribbler was born in the shadow of the Erechtheion in Athens, Greece, to an Egyptian street walker (his father) and a Greek bear wrestler (his mother). He has lived in Istanbul, Rome, London, New Orleans and is currently stateless. He partakes of four bottles of Bombay gin and nine packets of Gauloises cigarettes a day.

Dmetri Kakmi, is a writer and editor. His first book Mother Land was shortlisted for the New South Wales Premier’s Literary Awards in Australia, and his new book The Door will be released in September 2020.

The Diaries of a Sozzled Scribbler #13

17 Friday Jul 2020

Posted by thedrunkenodyssey in Sozzled Scribbler

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The Diaries of a Sozzled Scribbler #13

Transcribed by DMETRI KAKMI

17 July 2020

Recently the Canal+ TV series, War of the Worlds has been labelled alienist, a piece of hate, and cultural appropriation on social media. The respected broadcaster has been described as part of the earthling supremacist system, provoking riots in the US, England, and Australia. In all other countries governments just shot their citizens.

So strong is the voice for reform about how aliens are depicted in film and television that it has created the #alienlivesmatter movement. To help Earthlings understand what is going on, I invited the creme de la creme of off-world actors to have their say.

S.S: Welcomes Klaatu, Uncle Martin, Davros, Predator, Doctor Who, The Thing and Ms Xenomorph. Have I left anyone out? It’s hard to distinguish some of you from a chair or a pot plant.

[A cacophony of horrendous screeches, clicks, and unearthly squeals follows.]

S.S: Why do you call filmmakers ‘earthling supremacists’ and accuse them of being mean to those who come from another planet?

Davros: Look at the way we are depicted. Cliches and stereotypes abound. It’s absolutely appalling. And we are usually killed off at the end.

S.S: By Pan’s beard, you can actually speak in coherent sentences, without shouting.

Davros: That’s what I’m talking about. Stereotypes, cliches. I received a sound education at Oxford. But nobody knows about that. All they’ve got me saying on his ridiculous show [gestured at Doctor Who] is EXTERMINATE, EXTERMINATE in a hysterical voice. I’ve been doing it since the 1970s and I’m sick of it. I want to play Othello or Hamlet.

Doctor Who: You’re not exactly love interest material, Dav.

Davros: How dare you! I don’t look like this all the time. I’m wearing make-up for your stupid show.

Klaatu: What do you really look like?

Davros: A baby squid.

Doctor Who: I rest my case.

Ms Xenomorph: [Knitting.] That’s easy for you to say, Doc. You and Klaatu and Uncle Martin look human. You can pass. The rest of us can’t. I can’t even get my feet into a pair of Manolo Blahniks while I’m chasing that skinny bitch Sigourney Weaver on set. People must think I’m a lesbian or something. Always chasing chicks and hissing in their faces. Prometheus help me if my parents ever saw those films.

S.S: Can we bring it back to #alienlivesmatter please?

Predator: This is a righteous movement, long overdue. Tear down human society, destroy the nukiler family, I say.

Davros: I don’t mind being the tough guy in TV shows, but let’s not confuse that with real life. I was taking a self-isolation trundle through Clapham Upon-Upper in London the other day when a bunch of kids mugged me to prove they can beat the leader of the Daleks. And then a policeman kneeled on my tentacles.

Uncle Martin: Testicles?

Davros: Tentacles, tentacles!

Ms Xenomorph: Tisk, tisk, that’s sort of behaviour is unacceptable in civil society.

S.S: If the entertainment industry didn’t cast you in these films, you’d all be lining up for the dole.

Predator: You say that again and I’ll rip your head off and shove it up your ass.

Ms Xenomorph: Ignore him, Pred. He’s just trying to provoke you. Don’t play into his hands. You’re better than that.

Predator: No, I’m not.

S.S: Statues of prominent humans have been torn down by enraged aliens and their human supporters. Do you think that’s right?

Predator: You bet. Down with Earthlings. Up with aliens.

S.S: Doctor Who, as a proud Gallifrey man/woman/thing and one of the planet’s most important actors—even if you do have an eye for young gals—what do you have to say about this?

Doctor Who: We need to remember Canal+ and many others champion the work of diverse filmmakers, who do not fit easily discernible categories.

Uncle Martin: Granted we are usually cast as brutes out to invade the planet, impregnate nubile women and give unwary men anal probes. But so what? At the end of the day, as Mr Sozzled says, it is money in the pocket.

Predator: You would say that, you preening old queen. How’s pretty boy Tim O’Hara? Must be expensive keeping a dimwitted human in the lap of luxury for 60 years.

Uncle Martin: Watch it, Pred, you won’t like me with my antennae up.

Ms Xenomorph: [Continues knitting.] Hmm, is that what they call it nowadays?

Predator. Oh, I’m scared. Why don’t you get Ms Xeno to lay an egg in little Timmy’s chest? Then you can start a family, you conformist.

The Thing: Something is dangerously askew in the way that we are talking about aliens in the arts, and I feel like that it’s time we spoke up.

Predator: [Throws claws up in air.] Not you too!

The Thing: We are sick and tired of being depicted as ugly and nasty. I mean look at me. Am I like ugly? Am I like mean?

Predator: You are fucking hideous and there’s no two ways about it, Thing. Accept it. Don’t conform to beauty stereotypes perpetuated by Ella Bache.

The Thing: I’m a victim of hierarchical oppressive systems that marginalize and oppress creatures of no discerning form.

Predator: Come on, kid, keep it together. You’re not a victim. They want you to believe that so they can control you.

S.S: Who, pray tell, is they?

Predator: Those giant non-binary ants that appeared in a film back in the 1950s.

S.S: That was Them!

The Thing: Flash in the pans. Nobody remembers them but everyone remembers me.

Predator: Atta boy, Thing! You’ll pull through.

E.T: Hold on a minute. Spielberg did his bit with Close Encountersand with my memoir, which he unimaginatively called ET.

S.S: Oh, you’re here too ET. I thought you were an old cushion.

E.T: Well, I never. I go out of my way to appear on your show and all I get is insults. [Waddles off in a huff.]

The Thing: The Spielberg love-fest is like a drop in the ocean. The rest is a deluge. It’s like so depressing. I’ve been like living on Zoloft for so long I can barely shape shift any more, which impacts the parts I’m offered.

S.S: The correct word is affects. Not impacts.

Predator: How dare you impose your imperialist dialectic values on him.

S.S: Thing, your last job was in 2011 in the Norwegian version of The Thing, wasn’t it?

The Thing: No, I played a blancmange in a Japanese ad last week. So like humiliating. I’m scared my agent’s gonna like dump me. [Starts to cry.]

Predator:  [To S.S.] See what you done!

Ms Xenomorph: I want to play a Bond girl before I die. Extend my range a little.

S.S: Is the current focus on public shaming and burning down the industry misguided and ahistorical?

Klaatu: It started as an attempt at genuine critique but it descended into online bullying. The activists accusing the content creators of being part of earthling supremacy are not taking into consideration the long history of ground-breaking, intergalacticly recognised alien and culturally diverse work, much of which has been supported by the film and television industries.

Uncle Martin: Equally, they have not understood the history of struggle against alienism on Earth, which has established structures that have enabled alien actors to assume their current positions within mainstream media, and to provide ongoing opportunities for others.

Doctor Who: In painting the industry as ‘all human’, they fail to acknowledge the changes already happening, driven by the hard work of aliens and sundry monsters who have come before them. The most powerful TV executive in England, Nyah, is The Devil Girl from Mars, for heaven’s sake. She has a lovely BBC accent.

Predator: She’s one hot bitch. I wants to shag her while she pulls my dreadlocks and calls me names.

S.S: Get a room why don’t you?

Predator: Fuck off, you old prune. When was the last time you had a root?

Klaatu: And let’s not forget Netflix just hired a man from Uranus…

Uncle Martin: Really? What’s his name when he’s on Earth?

Klaatu: Calm down, Uncle Martin. You know people from Uranus cause a stink when they’re propositioned.

Doctor Who: We must remember that many of the most significant creatives in the industry are from another planet or from a dark pit at the centre of the earth—Harvey Weinstein for instance.

Predator: Yeah, the real world is becoming more frightful every year. We need to celebrate that.

Ms Xenomorph: Just because I incubate my babies in random chest cavities doesn’t mean I’m not nice. I’m at an age when I can play the parts previously played by Sharon Stone, but are producers calling me?

Uncle Martin: We recognise there is a lot more work to be done, and that we can never rest on our larvae. However, we believe in constructively changing the system, rather than burning it down.

Klaatu: Well said. I believe in having strategies and policies, informed and researched targets, open and safe debate.

Thing: I’m sick of earthlings appropriating our stories to portray the growth of human characters. It’s like no, okay Just no.

Predator: [Stands.] No more compromise. I’m for tearing down the house, sowing the seeds of discord and relishing chaos. Come on Ms Xeno, Thing, let’s go for a drink. Leave these turn-coats to discuss strategies. You want to join us, Dav?

Davros: No, thanks. I’ll go home to read Shakespeare’s sonnets.

[Ms Xenomorph and Predator depart with their arms around a sobbing Thing.]

S.S: [Looks at remaining party.] Gentlemen, thank you for joining us today.

Klaatu: We propose the best way forward is to create a safe forum with all players, that offers solutions to lift up and not tear down.

S.S: Yeah, whatever… Get out of my penthouse. I’ve got martinis to drink, freaks to insult.

Until next we meet. Cheerio!


people-2570596_1920 Sozzled

The Sozzled Scribbler was born in the shadow of the Erechtheion in Athens, Greece, to an Egyptian street walker (his father) and a Greek bear wrestler (his mother). He has lived in Istanbul, Rome, London, New Orleans and is currently stateless. He partakes of four bottles of Bombay gin and nine packets of Gauloises cigarettes a day.

Dmetri Kakmi, is a writer and editor. His first book Mother Land was shortlisted for the New South Wales Premier’s Literary Awards in Australia, and his new book The Door will be released in September 2020.

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