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Tag Archives: The Great Gatsby

Episode 535: A Discussion of Azar Nafisi’s Reading Lolita in Tehran, with Rachael Tillman!

06 Saturday Aug 2022

Posted by thedrunkenodyssey in Episode, Memoir

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Tags

Azar Nafisi, Daisy Miller, F. Scott Fitgerald, Henry James, Jane Austen, Lolita, Pride and Prejudice, Reading Lolita in Tehran, The Great Gatsby, Vladimir Nabokov

Episode 535 of The Drunken Odyssey, your favorite podcast about creative writing and literature, is available on Apple podcasts, stitcher, spotify, or click here to stream (right click to download, if that’s your thing).

This week, Rachael Tillman and I discuss Azar Nafisi’s Reading Lolita in Tehran, a long overdue read for both of us.

TEXT DISCUSSED

NOTES

Scribophile, the online writing group for serious writers

TDO listeners can get 20% of a premium subscription to Scribophile. After using the above link to register for a basic account, go here while still logged in to upgrade the account with the discount.

On Saturday, August 13th at 7:30 PM, Rachel Kolman’s farewell reading will take place at the Kerouac Project of Orlando.

Closer to the end of the month, the Orange County Library in downtown Orlando will be holding a literary expo.

 


Episode 535 of The Drunken Odyssey, your favorite podcast about creative writing and literature, is available on Apple podcasts, stitcher, spotify, or click here to stream (right click to download, if that’s your thing).

Aesthetic Drift #9: Dramatic Stakes, and Why Dawn of Justice Will Likely Suck

24 Thursday Mar 2016

Posted by thedrunkenodyssey in Aesthetic Drift

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Batman, Batman v. Superman: Dawn of Justice, Frank Miller, High stakes storytelling, Superman, The Dark Knight Returns, The Great Gatsby, The Portrait of a Lady

Aesthetic Drift #9 by John King

Dramatic Stakes, and Why Dawn of Justice Will Likely Suck

Thirty years ago when Frank Miller’s The Dark Knight Returns series appeared, this epic of what would happen to superheroes in the future changed the culture of comic books. Miller introduced an expressionistic art style that could be crude and gothic. Miller worried about the physics of the world Batman inhabited, so that the world was as real as the art was wild. And by making his heroes old, he inadvertently revealed American culture’s doubts about whether these pop culture icons could be meaningful with about fifty years of continuous storytelling occurring with many of the same archetypal characters.

TDKR-Batman-vs-Superman

In The Dark Knight Returns, Batman would have his final confrontation with his nemesis, The Joker. Batman would have his final confrontation with his other nemesis, Superman. All of this seemed so intriguing in large part because of the dramatic stakes this finality implied. We see Batman’s heartbeat. We see our heroes, even Superman, bleed and suffer. We see The Joker die laughing.

If you want people to read your fiction or watch your play or film, the dramatic stakes need to be high. Highly abstract emotions and average slice-of-life narratives might be appealing, but they are most appealing when they turn out to be related to high-stakes storytelling. Gatsby has to die trying to outmaneuver the American class system in the name of love. Isabel Archer must learn that her freedom and pride were high prices to pay at the expense of her truest friendship, the depths of which she should have seen earlier. And Batman must try to slay Superman to prove the truth of his own perhaps unhealthy convictions.

High-stakes define character in indelible ways, and watching such storytelling changes us, when those stories are good.

Batmans V Superman

This is why Batman v. Superman: Dawn of Justice is likely to be terrible.

Batman-Vs-Superman-Dawn-Of-Justice-2015

Besides the actual animated adaptation of The Dark Knight Returns, no other movie seems to be leaning quite so heavily on the Miller comic. In Batman v. Superman: Dawn of Justice, we are going to see Batman in battle armor face off with Superman, but this will not be their final confrontation. Instead, this looks to be the beginning of a beautiful friendship, in which they can quip to one another about how cool Wonder Woman is, since a glib Lex Luthor will create a new villain that makes the rivalry, the fatal ideological and psychological conflict, between Batman and Superman irrelevant on their way to kicking a lot of CGI ass.

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1flip

John King (Episode, well, all of them) is a podcaster, writer, and ferret wrangler.

Episode 109: Pauline Hawkins!

19 Saturday Jul 2014

Posted by thedrunkenodyssey in Education, Episode

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Tags

Animal Farm, Caitlin McDonnell, F. Scott Fitzgerald, George Orwell, Pauline Hawkins, The Great Gatsby

Episode 109 of The Drunken Odyssey, your favorite podcast about creative writing and literature, is available on iTunes, or right click here to download.

On this week’s show, I talk to writer, teacher, and advocate Pauline Hawkins,

Pauline Hawkins 2

plus Caitlin McDonnell writes about discovering her urge to teach, from a night spent in jail, in “The Capacity of Language to Make Us Less Alone.”

Caitlin McDonnell

NOTES

Harper Lee has contested any participation or approval in Marja Mills’s new biography of her, according to The Guardian.

To learn more about Pauline Hawkins’ radical way of teaching George Orwell’s Animal Farm, read her blog here.

You can read Pauline’s resignation letter here.

This episode proudly features the music of The Intoxicators.


 

Episode 109 of The Drunken Odyssey, your favorite podcast about creative writing and literature, is available on iTunes, or right click here to download.

 

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