The Curator of Schlock #443: The Car

Edwige, my steadfast kangaroo companion, and I were interrogating a punk resembling Waldo from Where’s Waldo?. I slapped him until he confessed the whereabouts of the Revenging Manta, the ninja vigilante of downtown Orlando. 

“Okay—okay,” he said, spitting up blood. “They’re holding him in The Beyond exhibit.”

“One more thing,” I said, Edwige and I giving him a cold stare. “Did you deface the statue of Carl Weathers?”

“I—I did,” he confessed, squinting his eyes as braced for the payback that was about to come.

— To be continued. 


Happy New Year from all of us over here at The Museum of Schlock. Tonight’s feature is 1977’s The Car from director Elliot Silverstein. It’s about a car that murders people. A driverless car that murders people. Apparently, the producers wanted a movie like Jaws, but with an automobile. Take that, Steven Spielberg. You may have cornered the market on sharks, but what about killer automobiles? Oh, wait. You directed Duel which is basically Jaws, but with a truck. And that’s a great movie.

The Car isn’t so much. 

The movie begins with a quote from Anton LaVey, founding member of the Church of Satan. I’m getting some serious Race with the Devil vibes from this picture. Maybe it’s the score by Leonard Roseman. We get a scene of a teenage boy and girl riding their bikes and then getting run off the road to their deaths by a black car with tinted windows and no driver. Is it wrong that I found this scene amusing? Maybe I’ve been conditioned by the media to think that teenagers in the 1970s kind of had this coming with their need for fresh air and exercise.

James Brolin plays a police captain named Wade Parent and he’ll be the one investigating these cases of vehicular homicides. The car runs over a hitchhiking hippie, the chief of police, and terrorizes the local school marching band. And I guess it can’t drive on the hallowed ground of the local cemetery leading the police to figure the driverless car is demonic in nature. 

I’m sorry, but I need more. The car is evil because it’s evil isn’t enough of an explanation. Can’t we get an origin story? Maybe an old man is driving a car as it conks out. It’s raining and he can’t get the engine started again. He curses, “To the devil with this car!” And that’s how the vehicle gets possessed and becomes an agent of evil on this planet Earth. And I know there isn’t an explanation for why the car in Christine is evil, but I like that movie better!

I can’t help, but feel if this movie was being made today that there would be no demonic explanation for this evil car. It would be a malfunctioning artificial intelligence created by corporate negligence. Expect a murderous AI car movie to be released before the decade is over. It will be all the rage upon release, but will eventually fall into obscurity like this piece of schlock from 1977. 


Photo by Leslie Salas.

Jeff Shuster (episode 47episode 102episode 124episode 131episode 284episode 441episode 442episode 443, episode 444episode 450, episode 477episode 491episode 492, episode 493episode 495episode 496episode 545episode 546episode 547episode 548episode 549episode 575episode 596episode 597episode 598, and episode 599) is an MFA graduate from the University of Central Florida.



2 responses to “The Curator of Schlock #443: The Car”

  1. Well, my view of The Car is almost opposite to yours, Mr Shuster. When it came out to Australia in 1978 my friends all went to see it, while I went and saw Race With the Devil (by a strange coincidence). In 1990, I finally saw it on TV and was so impressed.

    The car’s origin story is in the LeVay quote at the start–it’s a demon that takes vehicular form, just as Ronny Cox says. It looks demonic, sounds demonic and, while the scene where it rolls and crushes the two cop cars is a bit stupid, the rest of what it does is believable and scary.

    If it has a fault, it’s that James Brolin has to carry the human interaction, and he couldn’t carry a basket of goodies to Grandma’s house.

  2. Sorry about the links 😦

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