Shakespeare
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Episode 410: Ron Schneider!
Episode 410 of The Drunken Odyssey, your favorite podcast about creative writing and literature, is available on Apple podcasts, stitcher, spotify, or click here to stream (right click to download, if that’s your thing). This week, I speak to actor, show writer, and memoirist Ron Schneider about the show business life, theme park creativity, and learning to master new… Continue reading
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The Rogue’s Guide to Shakespeare on Film #70: Henry VI Parts 1 & 2 (2016)
70: Dominic Cooke’s Henry VI Parts 1 & 2 (2016) I am an outright Shakespeare junkie, dear readers. This you should know by now. Yet the prospect of outright speed-balling multiple Shakespeare plays in one sitting seems daunting, even to me. I am aware of festivals that mount all of The War of the Roses… Continue reading
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The Rogue’s Guide to Shakespeare on Film #67: Tromeo and Juliet (1996)
67. Lloyd Kaufman’s Tromeo and Juliet (1996) Last week, the bourgeoisie wet dream that is Carlo Carlei’s Romeo and Juliet so dismayed me that I decided the time had come to try Tromeo and Juliet. From time to time, I review films that may seem tangential to Shakespearean theatre, such as Strange Brew and Gnomeo and Juliet and… Continue reading
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The Rogue’s Guide to Shakespeare on Film #55: Falstaff: Chimes at Midnight (1965)
55. Orson Welles’s Falstaff: Chimes at Midnight [Henry IV Parts 1 & 2] (1965) One restraint of most Shakespeare film productions happens to be, alas and fuck, the budget. Often, actors, including the best actors, will willingly work for scale in service of the bard, but the cost of film and catering and the crew and… Continue reading
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The Rogue’s Guide to Shakespeare on Film #41: Omkara [Othello] (2006)
41. Omkara [Othello] (2006) With the exception of The Tempest, the plots of Shakespeare’s plays are not actually original to him. What is original is the exceptional psychological depth that he granted the characters in these plays, and the exquisite language with which he chiseled their psychologies into existence. So when artists adapt Shakespeare onto film,… Continue reading
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The Rogue’s Guide to Shakespeare on Film #40: Cymbeline (2014)
40. Michael Almereyda’s Cymbeline (2014) With his Hamlet, Michael Almereyda demonstrated some interesting interpretive choices marred by casting a mawkish, mumbling Ethan Hawke as Hamlet, and Ethan Hawke Ethan Hawked the shit out of that shitty film. With his Cymbeline, Michael Almereyda demonstrated some astoundingly feeble tawdry interpretive choices marred even further by casting a… Continue reading
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The Rogue’s Guide to Shakespeare on Film #37: Hamlet (2000)
37. Michael Almereyda’s Hamlet (2000) When it comes to presenting Shakespeare well on film, sometimes it just isn’t enough to be a pretentious twat. Baz Luhrman has proven that once, and Michael Almereyda has proven that twice, the first time with Hamlet. This Hamlet stars a really goofy knit-cap. Underneath it, unfortunately for this movie,… Continue reading
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The Rogue’s Guide to Shakespeare on Film #36: Antony and Cleopatra (1972)
36. Charlton Heston’s Antony and Cleopatra (1972) Antony and Cleopatra is Shakespeare’s continuation of sorts of Caesar. The triumvirate of Roman leaders, Octavius Caesar, Marcus Aemilius Lepidus, and Marc Antony is on the verge of breaking with Marc Antony since he has lapsed in his Roman duties and gone native with lust in Egypt with Cleopatra. Pompey,… Continue reading
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21st Century Brontë #7: The Unlikeable, Likeable Character
21st Century Brontë #7 by Brontë Betterncourt The Unlikeable, Likeable Character Late last year I started a Dungeon & Dragons 5e campaign. The decision occurred around 2:30-3:00 A.M. Previously, my D&D experience ranged from on and off participation in my friend 3.5th edition, and the inkling of participation in my other friend’s Pathfinder edition. Both… Continue reading
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The Rogue’s Guide to Shakespeare on Film #12: Hamlet (1996)
#12: Hamlet (1996) With his Hamlet (1996), the gulf between Kenneth Branagh’s acting and that of his Hollywood peers widens. In the early going of Much Ado About Nothing (1993), Denzel Washington doesn’t quite know what to do. In the early going of Hamlet, Jack Lemmon (like Washington, one of the finest actors Hollywood has… Continue reading
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The Drunken Odyssey is a forum to discuss all aspects of the writing process, in a variety of genres, in order to foster a greater community among writers.
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